
MATTHIEU LAURETTE
Global Demix iHome Studio
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(Last update: 30 January 2012)
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BIOGRAPHY
Matthieu LAURETTE
born in 1970 (Villeneuve St Georges, France).
EDUCATION
1989-1992 École Régionale des Beaux Arts, Rennes, France.
1993-1995 École d’art, Grenoble, France.
CONTACTS
GLOBAL DEMIX iHOME STUDIO
studio [at] laurette [dot] net
MATTHIEU LAURETTE
matthieu [at] laurette [dot] net
REPRESENTED BY
GAUDEL DE STAMPA
3, rue de Vaucouleurs
75011 Paris, France
T +33 1 40 21 37 38
www.gaudeldestampa.com
Contact Denis Gaudel : denis [at] gaudeldestampa [dot] com
LA CENTRAL
Cr 12a No 77a 72
Bogotá Colombia
T +57 1 7 57 44 1O
www.lacentral.com.co
Contact:
Katy Hernandez katy [at] lacentral [dot] com.co
Beatriz López beatriz [at] lacentral [dot] com.co
APT:Berlin
Reinhardtstrasse 8
D-10117 Berlin
www.aptglobal.org
SELECTED SOLO SHOWS AND PROJECTS
2012
Matthieu Laurette: Demands & Supplies, Gaudel de Stampa, Paris, France.
2011
Matthieu Laurette: Tropicalize Me! (Part 1 - Colombia), Alianza Francesa @ ArtBo, Bogotá, Colombia (curated by Adriana Castro).
Tapis Rouge 3 (Photo Call CNAP), Tri Postal, Lille, France
Apparition: Silence ça Pousse: Pas de panique chez Matthieu, France 5, France
Citizenship Project / FYI (For Your Information), CCF, Oran, Algeria
2010
Matthieu Laurette: Tropicalize Me!, Bogotá, Colombia
Matthieu Laurette: Applause, Nuit Blanche, Gaudel de Stampa, Paris
Matthieu Laurette: Things, Global Demix Studio, Paris
2009
Spirito: Matthieu Laurette presents INCONTRO DI VENDITORI AMBULANTI A ROMA, Santo Spirito in Sassia, Roma, Italy (curated by Valentina Ciarallo and Pier Paolo Pancotto). (Exh. cat.).
Matthieu Laurette, PATCHWORK IN PROGRESS, Monograph Show (Selected Works Remaining For Sale) Gaudel de Stampa Version, Gaudel de Stampa c/o Galerie Micky Scubert, Berlin, Germany.
2008
Matthieu Laurette presents ARTISTS' BIOPIC CINEMA, Smart Project Space, Amsterdam, The Netherlands (curated by Una Henry & Thomas Peutz). (Exh. cat.)
Matthieu Laurette: I AM AN ARTIST, Works on Paper 1998-2008, Gaudel de Stampa, Paris
Tapis Rouge 2, Le Bal Jaune, Fondation d'entreprise Ricard, Casino de Paris, Paris
EXHIBITION NON STOP, Blow de la Barra, London, UK
Plight 2, Deweer Art Gallery, Otegem, Belgium
Matthieu Laurette: Exhibition Non Stop, Blow de la Barra @ Art LA, Los Angeles, USA.
2007
Real Estate, Deweer Art Gallery, Otegem, Belgium
MediaScope: An Evening With Matthieu Laurette, MoMA, New York, USA.
2006
Tapis Rouge (Photo Call TF1 Publicité), Palais de Tokyo, Paris
Let's Make Lots of Money, Blow de la Barra, London
With a Special Appearance by Matthieu Laurette, (as part of the 8th Video Marathon), Art in General, New York, USA. (curated by Sofia Hernández Chong Cuy)
2005
Matthieu Laurette présente Raymond Hains au Musée Grévin, Palais de Tokyo, Paris
What Do They Wear At Frieze Art Fair, 2123 October 2005, Daily Guided Tours of Frieze Art Fair Led by International Fashion Experts: Peter Saville, Isabella Blow, Bay Garnett and Kira Jolliffe. Frieze Projects, London (curated by Polly Stapple). (Exh. cat.).
Matthieu Laurette : Déjà Vu, Numark Gallery, Washington, USA
Matthieu Laurette : The Today Show, Yvon Lambert, Paris.
Matthieu Laurette: Applause (The Today Show), Deweer Art Gallery, Art Brussels, Belgium.
2004
Déjà vu, The7th International Look-alike Convention at Dia Art Foundation's Fall Gala, New York, USA.
Matthieu Laurette : Prix Ricard S.A. 2003, MNAM-Centre Pompidou, Paris.
Commodities: featuring Jeff Koons, Robert Ryman & Andy Warhol, Deweer Art Gallery, Otegem, Belgium. (Exh. cat.).
2003
Déjà vu, 6th International Look-alike Convention, CAC - Contemporary Art Centre, Vilnius, Lithuania. (as part of the show 24/7)
Publicness: Jens Hanning, Matthieu Laurette, Aleksandra Mir, ICA Institut of Contemporary Arts, London, UK (curated by Cristina Ricupero). (Exh. Brochure).
Déjà vu, Fith International Look-alike Convention, ICA Institut of Contemporary Arts, London, UK. (as part of the show Publicness)
2002
Raymond Hains / Matthieu Laurette : a collaborative show, Jousse entreprise, Paris, France.
Déjà vu, Fourth International Look-alike Convention, Artsonje Center, Seoul, Korea (as part of the group show Less Ordinary).
The Spectacle Is Not Over, The John Curtin Gallery, Bentley, Perth, Australia.
Déjà vu, Third International Look-alike Convention, Perth Institute of Contemporary Arts - PICA, Perth, Australia (as part of the show Elvis has just Left the Building).
2001
Commodification, Jousse entreprise, Paris, France.
Déjà vu, Second International Look-alike Convention, Castello di Rivoli, Torino, Italy (as part of the show Form Follows Fiction)
2000
The Secret of Free Shopping, in collaboration with the Proto Academy, ECA research, Edinburgh College of Art, as part of Vivre sa vie, Edinburgh, Scotland (curated by Tanya Leighton & Andrew Patrizio in collaboration with The Proto Academy). (Exh. cat.).
Déjà vu, First International Look-alike Convention, Centre Pompidou, Paris, France (as part of the group show Au delà du Spectacle).
Social Hackers (Part 2), with Gunilla Klingberg, Muu galleria, Helsinki, Finland (curated by Cristina Ricupero & Paula Topila). (Exh. cat.).
Applaus (teil 2), project in public space as part of C/O Berlin, Berlin, Germany (curated by Nathalie Boutin & Marie-Blanche Carlier).
Les Impressionnistes font toujours bonne impression, CNEAI - Centre National de l'Estampe et de l'Art Imprimé, Île des Impressionnistes, Chatou, France (curated by Caroline Maestrali & Sylvie Boulanger).
El Gran Trueque, Consonni, Bilbao, Basque Country, Spain (curated by Franck Larcade). (Exh. cat.).
1999
On Television, Walter and McBean Galleries, San Francisco Art Institute, San Francisco, USA (curated by Ella King Torrey as part of Direct Translation).
Free Sample 3, Slides Demix, Live Remix featuring Bosco, Mr Learn, S.Comte, Tetrapak, I Love U, Festival Nouvelles Scènes, Dijon, France.
Applaus (teil 1), Institut Français, as part of C/O Berlin, Berlin, Germany (curated by Nathalie Boutin & Marie-Blanche Carlier).
Patchwork in Progress, exposition monographique, Mamco - Musée d'Art Moderne et Contemporain de Genève, Geneva, Switzerland (curated by Christian Bernard).
Quand ça ne sert plus, ça sert encore, Le pavé dans la mare, Besançon, France.
Efficace et Commode, Propositions 99 pour la Collection (collaborative project with Asier Pérez González & Franck Larcade) Capc Musée d'Art Contemporain, Bordeaux, France.
1998
Free Sample 2, Slide demix, Live Remix featuring Bosco, Mr Learn, S.Comte, Soirée Nomade, Fondation Cartier pour l'Art Contemporain, Paris, France.
Free Sample, Galerie Jousse Seguin, Paris, France. (Exh. cat.).
Comment faire ses achats remboursés, invited by Le Confort Moderne, Médiathèque François Mitterrand, Poitiers, France.
Applaus, CASCO Projects, Utrecht, The Netherlands (curated by Lisette Smits & Mariette Dölle).
1997
Vivons remboursés, Le Camion-vitrine des produits remboursés, invited by Entre 2, project in public space, Nantes, France.
Max, In vitro, Geneva, Switzerland (curated by Gianni Motti).
Comment faire ses achats remboursés ?, invited by Artconnexion, Espace croisé, Lille, France.
Mangez remboursé, showroom et visites guidées de supermarché, Réserve de Jean Chatelus, 28 rue Rousselet, Paris, France (curated by Laurence Hazout).
Matthieu Laurette (with Pierre Joseph), FRAC Languedoc-Roussillon, Montpellier, France (curated by Ami Barak).
Nourrissez un artiste à partir de 100 Francs, c/o Ghislain Mollet-Viéville, Art Agent, Paris, France.
Comment faire ses achats remboursés, Club du Capitaine Pip, Centre d'art, Brétigny sur Orge, France.
1996
Bonjour, je ne suis pas là pour vous demander de l'argent mais pour vous proposer d'en gagner, Métro, Réseau RATP , Paris.
1995
La Bibliothèque dispersée, Bibliothèque St Bruno, Grenoble, France.
1993
Made in Japan, Tsukuba University, Tsukuba, Japan
SELECTED GROUP SHOWS AND PROJECTS
2012
Tracts!, Cabinet du livre d'artiste, Université Rennes 2, Rennes, France
2011
Une vente aux enchères, Mains d'oeuvres, Saint Ouen (curated by Isabelle Le Normand)
Tropical Hangover, ArtBo, Bogotá, Colombia (curated by Octavio Zaya).
The Evening Before, The Morning After: An Evening by Mario Garcia-Torres, Bistrotheque, London.
Collector: Works from Centre National des Arts Plastiques, Tri Postal, Lille France.
Art & Argent: Liaisons dangereuses, Hotel de la Monnaie, France (curated by Sebastien Gokalp)
Living as a Form, Creative Time, New York, USA
On Stranger Tides, Maison des Arts, Grand Quevilly, France (curated by Simon Ripoll-Hurier)
Better Being A Virus Than Catching A Cold, Studio Galeria, Budapest, Hungaria (curated by Isabelle Le Normand)
Art of the Loom, Deweer Gallery, Otegem, Belgium
L'Art au tapis / Spread out the carpet, Galerie Aline Vidal, Paris, France
2010
Gaudel de Stampa @ Artissima, Turin, Italy
Art of the Loom Collection, Interior 2010 Design Biennial, Kortrijk, Belgium
Rugged Beauties, L40, Berlin, Germany
HollywoodMerchmart, LACE, Los Angeles
KunstHalle Athena, The Bar, Kunsthalle Athena, Athena, Greece
Jeux de rôles, La Garenne Lemot, France
30 Years Deweer Gallery, Deweer Gallery, Otegem, Belgium
Dove Allouche - Matthieu Laurette "Oeuvres sur papier (Extraits)", Gaudel de Stampa, Paris
2009
Les Archipels réinventés: Les 10 ans du Prix Ricard, Centre Pompidou, Paris (curated by Emma Lavigne). (Exh. cat.)
Art Protects, Yvon Lambert, Paris
Print Matters, Chauvel Cinema, Sydney, Australia
0.08014440536499023 °WL - 51.52841035161011 °NB - 4.895009994506836 °OL - 52.356377979185666 °NB, ZINGERpresents, London, UK, (curated by Steven van Grinsven).
Unfair, Service Garage, Amsterdam, The Netherlands (curated by Ehsan Fardjadniya (Parachutartists Foundation), Frank Ammerlaan and Thijs Rhijnsburger (De Service Garage), Nazli Gurlek (Independent curator, Turkey), Sonia Dermience (Komplot, Brussels), Caterina Riva (FormContent), Johan Gustavsson (1646, The Hague). (Exh. cat.).
Expectations, MB Projects, Amsterdam, The Netherlands (curated by Maria Rus Bojan)
NGDLB/Cooperativa Internacional Tropical @ MACO Art Fair, Mexico City, Mexico
This Is Not America, El Descanso de Guerrero, San Juan, Puerto Rico (curated by Pablo Leon de la Barra)
NGDLB/Cooperativa Internacional Tropical @ CIRCA Art Fair, San Juan, Puerto Rico
Urban Ping Pong: Tool Box, Galerie Fernand Léger, Centre d'Art Contemporain d'Ivry, Ivry-sur-seine, France
Just in The Dark, Mercati di Traiano, Roma, Italy (curated by Cecilia Canziani and Andrea Viliani)
Gaudel de Stampa @ Roma The Road to Contemporary Art, Roma, Italy
The Real Thing, MU, Eindhoven, The Netherlands (curated by Vvork).
Random Rules, A Chanel of Artists' selections from YouTube, Pulse Art Fair, New York, USA (curated by Marina Fokidis)
Si j'avais un marteau!, La Base d'appui d'Entre deux, Nantes, France (curated by Marie-Laure Viale & Jacques Rivet)
2008
Art & Context IV: The Market, The Galleries and The Art World Scene, Espacio 1414 - Berezdivin Collection, Santurce, Puerto Rico. (curated by Julieta Gonzalez).
Carnets d'inpiration, galerie Pierre-Alain Challier, Paris (Exh. cat.).
Tool Box, La Base d'appui d'Entre deux, Nantes, France (curated by Marie-Laure Viale & Jacques Rivet, Ghislain Mollet-Viéville and Christian Ruby).(Exh. cat.).
La Vidéo, un art, une histoire 1965-2007, Musée Fabre, Montpellier, France (curated by Christine Van Assche)
Pernod Ricard Artworld, Winzavod, Moscow, Russia (curated by Claire Staebler).(Exh. cat.).
Diference, What Difference?, Artforum Berlin 2008, Berlin (curated by Hans-Jürgen Hafner)
Laugh Track, Brussels Biennial 1 / Off Program, Yum 21C, Brussels, Belgium (curated by Oliver Martinez Kandt & Ehsan Fardjadniya)
Update, Deweer Art Gallery, Otegem, Belgium
Mieux vaut être un virus que tomber malade, Mains d'oeuvres, Sain Ouen, France (curated by Isabelle Le Normand)
Beyond Paradise, Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam, The Netherlands (curated by Delphine Bedel & Ayako Yoshimura)
Comme le verre à travers le soleil: Autour de Raymond Hains, Domaine départemental de la Garenne Lemot, Frac Pays de la Loire, Clisson, France (curated by Marion Daniel)
L'argent, Le Plateau, Paris (curated by Caroline Bourgeois & Elisabeth Lebovici)
Blow de la Barra @ Art Athina, Athens, Greece
The Store, Tulip and Roses, Vilnius, Lithuania (curated by Adam Carr)
Blow de la Barra @ feMACO 08, Mexico, Mexico
Present?, Blow de la Barra, London, UK
Hidden Treasure: Stephan Balkenhol, Sergey Bratkov, Tony Cragg, Matthieu Laurette, Panamarenko and Koen Vanmechelen, Deweer Art Gallery @ Art Brussels, Brussells, Belgium
The Game is Up! Art For Sale, Vooruit, Gent, Belgium (Curated by Eva de Groote)
Art in the Life World, Breaking Ground, Old Swimming Poool Ballymun, Dublin, Ireland.
Deweer Art Gallery @ ARCO, Madrid, Spain
2007
Off Pages, UOVO, The Bookmakers ED., Torino, Italy (curated by Chiara Figone)
Informacion contra informacion, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain.
The Art World, Feinkost, Berlin, Germany.
The Leisure Class, Australian Cinémathéque, Quensland Art Gallery, Brisbane, Australia.
Blow de la Barra @ La Otra Art Fair, Bogota, Colombia
Centre pompidou Novo Media 1965-2003, Museo do Chiado, Lisbon, Portugal.
Blow de la Barra @ Zoo Art Fair, London, UK
ReadyMedia 2, Museum of Contemporary Art Salon, Belgrade, Serbia (curated by Maria Rus-Bojan)
There Is Always A Machine In Between Us, SFcameraworks, San Francisco, USA.
Art Protects, Yvon Lambert, Paris, France.
Seduction - A Theory Between The Real And The Possible, Borderline/Moving Images, SOHO, Beijing China. (Curated by Beatrice Leanza and BAO Atelier)
The Spam Show, an unsolicited email show. (curated by Dessislava Dimova).
Blow de la Barra @ Art Athina artfair, Athens, Greece.
I'm A Future Melancholic, GoGallery, Milan, Italy. (Curated by Laure Prouvost and Anne-Sophie Dinant for tank.tv.)
Blow de la Barra @ MACO artfair, Mexico, Mexico.
Ateliers. L'artiste et ses lieux de création dans les collections de la Bibliothèque Kandinsky, MNAM - Musée National d'Art Moderne, Centre Pompidou, Paris, France. (curated by Didier Shullmann, Catherine Tiraby et Véronique Borgeaud). (Exh. cat.).
ReadyMedia, Montevideo-Netherlands Media Art Institute, Amsterdam, The Netherlands. (Curated by Maria Rus-Bojan).
My 2007, Colette, Paris, France. (Curated by Sarah Lerfel) (Exh. cat.).
2006
Pompidou Video Art 1965-2005, MCA-Museum of Contemporary Art, Sydney, Australia. (Curated by Christine Van Assche). (Exh. cat.).
Globalización: indicaciones/ efectos secundarios/ advertencias, Espacio 1414 - Berezdivin Collection, Santurce, Puerto Rico. (curated by Julieta Gonzalez).
Schein Sein, Sozialen Dimensionen Des Glamour In Der Aktuellen Kunst, Spinnrei, Leipzig, Germany. (curated by Julia Moritz and Jana Sperling)
Blow de la Barra @ Nada artfair, Miami, USA
Video: An Art, A History, 1965-2005, New Media Collection, Centre Pompidou, Miami Art Central, Miami, USA. (Curated by Christine Van Assche). (Exh. cat.).
Blow de la Barra @ Zoo artfair, London, UK.
Old News, CNEAI, Centre National de l'Estampe et de l'Art Imprimé, Chatou, France. (curated by Jacob Fabricius) (Exh. Publication)
Ayermaniana, Facultad de Bellas Artes de la UCLM, Cuenca, Spain. (curated by Rosa Pera and Gonzalo Puch)
Les Pas Perdus de Raymond Hains, Centre Culturel de la Gare de Gaël, Brocéliande, France.
Tenemos el Duchamp..., GAM -Galeria de Arte Mexicano, Mexico City, Mexico. (curated by Stefan Bruggemann and Mario Garcia Torres)
Radio Gallery, Resonnance 104,4 FM, London, UK. (curated by Anna Collin).
Les figures de l'acteur: Le paradoxe du comédien, Collection Lambert, Avignon, France. (curated by Eric Mesil). (Exh. cat.).
Unfinished Business, Museum of Contemporary Art Belgrade - Salon, Belgrade (curated by Sinisa Mitrovic). (Exh. cat.).
La Force de l'Art, Grand Palais, Paris. (Exh. cat.).
New Media 1965-2005, Taipei Fine Arts Museum, Taipei (curated by Christine Van Assche). (Exh. cat.).
VIgNe: Miam-miam Glouglou en Languedoc-Roussillon, Cercle d'Art Contemporain du Caillar, Le Caillar, France.
Ils sont passés par là..., ERBA - École Regionale des Beaux Arts, Rennes.
Message Personnel, Yvon Lambert, Paris.
Para Todos Publicos, Sala Rekalde, Basque Country, Spain. (curated by Xabier Arakistain) (Exh. cat.).
Notre Histoire, Palais de Tokyo, Paris, France (curated by Nicolas Bourriaud & Jerome Sans). (Exh. cat.).
2005
Superstars: Celebrity Factor in Art from Warhol to Madonna, Kunsthalle & Kunstforum, Vienna, Austria. (Curated by Ingried Brugger, Gerald Matt, Thomas Mießgang, Heike Eipeldauer, Florian Steininger). (Exh. cat.).
Day Labor, PS1/MOMA, Long Island, New York, USA. (curated by Amy Smith Stewart).
L'oeil écoute, Station St Germain des Prés, Paris, France. (curated by Yves Jammet et Daniel Lesbache).
Stephan Balkenhol, Jan Fabre, Matthieu Laurette, Panamarenko and Koen Vanmechelen, Deweer Art Gallery @ Art Cologne, Cologne, Germany. (Exh. cat.).
M-City: European Cityscape, Kunsthaus, Graz, Austria (Curated by Marco De Michelis in cooperation with Peter Pakesch and Katrin Bucher ). (Exh. cat.).
Tiempos de Video 1965-2005, Caixa forum, Barcelona, Spain (curated by Christine van Assche) (Exh. cat.).
Black Market - The 9th Triennial of International Art, CAC, Vilnius, Lithuania. (Curated by Sofia Hernández Chong Cuy, Raimundas Malasauskas and Alexis Vaillant). (Exh. cat.).
T142, Deweer Art Gallery, Transfo Zvevegem, Belgium. (Exh. cat.).
Critical Societies, Art, Criticism and the Promises of Capitalism, Badischer Kunstverein, Karlsruhe, Germany.
Cynisme? Manif d'art 3, La Biennale de Québec, Québec, Canada.
Populism, CAC, Vilnius, Lithuania; National Museum, Oslo, Norway; Kunstverein, Frankfurt, Germany; Stedelijk Museum, Amsterdam, Netherlands. (curated by Lars Bang Larsen, Cristina Ricupero and Nicolaus Schafhausen). (Exh. cat.).
Zero Interest/Interessi Zero, Interferences Between Art and the Economy, Galeria Civica Di Arte Contoporaneo, Trento, Italy ( Curated by PierLuigi Sacco and Marco Senaldi). (Exh. cat.).
Mediascape, Fundacio « La Caixa », toured to Taragona and Girona, Spain (curated by Montse Badia & Andreas Kaufmann). (Exh. cat.).
Citizens, PM Gallery & House, London, UK. (curated by Cynthia Morrison-Bell ). (Exh. cat.). toured to The City Gallery, Leicester, UK; Oriel Davies, Powys, Wales; The Ormeau Baths, Belfast, Ireland.
2004
Art Basel Miami, Yvon Lambert, Miami, USA.
ISCP Open Studios, ISCP, NewYork, USA.
Art Cologne, Deweer Art Gallery, Cologne, Germany.
Fiac 04, Yvon Lambert, Paris, France.
Frieze Art Fair, Yvon Lambert, London, UK.
Terminal 5, JFK, NewYork, USA (curated by Rachel K. Ward). (Exh. cat.).
Mediascape, Fundacio « La Caixa », Lleida, Spain. toured in 2005 to Taragona and Girona (curated by Montse Badia & Andreas Kaufmann). (Exh. cat.).
Eclips, 25 Jaar Deweer Art Gallery, Transfo Zvevegem, Belgium.
Post Marx, Re-thinking Utopic Society, Galeria Animal, Santiago, Chile. (curated by Arturo Duclos)
La rue aux artistes, Viacom Outdoor bilboards network, France. (Exh. cat.).
Biennal de Pontevedra, Pontevedra, Spain (curated by David G. Torres & Miguel Perez). (Exh. cat.).
Here and now, AARA, Bangkok, Thailand. (curated by Nathalie Boutin)
CopyArt.net, online show and presentations at Ibid projects & ICA, London, UK (curated by Irini-Mirena Papadimitriou)
Art Brussels 2004, Deweer Art Gallery, Brussels, Belgium (Exh. cat).
2003
Narcissus : New Visions On Self-representation, CRAC Alsace, Altkirch, France (curated by Hilde Teerlinck).
Institution2 : Art Institutions, The Ethics And Aesthatics Of Working With Contemporary Art, KIASMA - Museum of Contemporary Art, Helsinki, Finland (curated by Jens Hoffmann).
Pénélope attend Ulysse, CNEAI - Centre National de l'Estampe et de l'Art Imprimé, Île des Impressionnistes, Chatou, France (curated by Sylvie Boulanger) toured to Centre d’Art Georges Pompidou to Cajarc, France in 2004.
Miam Miam, Glou Glou, MIAM - Musée International des Arts Modestes, Sète, France. (curated.by Véronique Baton).
24/7 : Wilno-Nueva York, CAC - Contemporary Art Centre , Vilnius, Lithuania (curated by Kestutis Kuizinas & Raimundas Malasauskas). (Exh. publication).
Propaganda, Espace Paul Ricard, Paris (curated by Pascal Beausse).
The World, Speak For Gallery, Tokyo, Japan, toured to Jousse Entreprise, Paris (curated by Frank Perrin/CRASH). (Exh. cat.).
New Waves, The Atlanta Contemporary Art Center, Atlanta, USA (curated by Helena Reckitt & Christine van Assche).
Bootleg, Spitalfields Market, London, UK (curated by Catharine Patha, Sarah Grainger-Jones, Pablo LaFuente, Craig Burnett, Pernilla Holmes and Tom Morton).
GNS (Global Navigation System), Palais de Tokyo, Paris (curated by Nicolas Bourriaud)
Artists in Residence at the Glenfiddich Distillery, Glenfiddich Distillery, Dufftown, Scotland. (curated by Claudia Zeiske and Artconnexion). (Exh. cat.).
Embassy, Gallery F15, Moss, Norway, (curated by Denis Gaudel).
The Gift : Generous Offerings, Threatening Hospitality, toured to Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Ilinois, USA and to Art Gallery of Hamilton, Hamilton, Ontario, Canada (curated by Gianfranco Maraniello & Antonio Somaini). (Exh. cat.)
Le Ludique, toured to Musée d'Art Moderne Lille Metropole, Villeneuve d'Ascq, France. (curated by Marie Fraser). (Exh. cat.).
2002
The Gift : Generous Offerings, Threatening Hospitality, toured to Scottsdale Museum of Contemporary Arts, Phoenix, Arizona, USA and to Bronx Museum of the Arts, New York, USA (curated by Gianfranco Maraniello & Antonio Somaini). (Exh. cat.).
Voila la France, Cesac, Caraglio, Italy (curated by Andrea Busto). (Exh. cat.)
II Bienal Internacional de Arte, Museo Nacional de Bellas Artes, Buenos Aires, Argentina. (curated by Jorge Glusberg)
Strike, Wolverhampton Art Gallery, September 14th - November 9th 2002. (curated by Gavin Wade and adjusted by Liam Gilick). (Exh. cat.)
La vie devant soi / Life Ahead of You, Cimaise et Portique, Centre d'art Contemporain Albi & Frac Languedoc-Roussillon, Montpellier, France (curated by Ami Barak, Jackie-Ruth Meyer, Paul Ardenne)
Confiture demain, confiture hier, jamais confiture aujourd’hui, Centre Régional d’Art Contemporain, Sète, France.
List 02 Art Fair, Jousse Entreprise, Basel, Switzerland.
SpectaReal : Media In Your Mind, University Gallery, University of Essex, Colchester, UK. (Exh. cat.).
La vie, au fond, se rit du vrai, CAPC Musée d'Art Contemporain, Bordeaux, France.
New Clients, Openspace, Milan, Italy (curated by Alexis Vaillant/Toasting Agency).
Big Social Game, Big Torino 2002, International Biennale of Young Art, Turin, Italy (curated by Michelangelo Pistoletto and calc, Gianfranco Capitta, Vittorio Castellani, Giacinto Di Pietrantonio, Corinne Diserens, Stefano Della Casa, Paolo Manera, Christian Marclay, Aldo Nove)
Last Minute: To The End Of Eternity, Vecchio Ospedale Soave, Codogno, Italy (curated by Lara Facco and Lino Baldini). (Exh. cat.).
Less Ordinary, Artsonje Center, Seoul, Korea, toured to Artsonje Museum of Contemporary Art, Gyeongju, Korea (curated by Sungwon Kim). (Exh. cat.).
FAIR, Royal College of Art, London, UK. (Exh. cat.).
Living Like A Lover With A Radar Phone, The Project, Dublin, Ireland (curated by Patricia Ellis and Andreas Schlaegel).
Art & Economy, Deichtorhallen, Hamburg, Germany (curated by Dirk Luckow). (Exh. cat.).
Elvis has just left the Building : Urban Legends, Contemporary Myths, Perth Institute of Contemporary Arts - PICA, Perth, Australia, toured to Kunstlerhaus Bethanien, Berlin, Germany (curated by Boris Kremer).
2001
Design & Activisme, Speak For Gallery, Tokyo, Japan.
Black, Silver and Gold, Galerie du Bellay, Mont St Aignan/ Rouen, France (curated by Mathieu Mercier).
Form Follows Fiction, Castello di Rivoli, Turin, Italy (curated by Jeffrey Deitch). (Exh. cat.).
Le Ludique, Musée du Québec, Quebec, toured in 2003 to Musée d'Art Moderne Lille Metropole, Villeneuve d'Ascq, France (curated by Marie Fraser). (Exh. cat.).
Social Hackers, Forde and Centre de Gravure Contemporaine, Geneva, Switzerland (curated by Cristina Ricupero & Paula Topila). (Exh. cat.).
(Dé)voler), Institut d'Art Contemporain, Villeurbanne, France, toured in 2002 to Mucsarnok Kunsthalle, Budapest, Hungary (curated by Amy Barak).
ArT-shirts, les Vitrines de la Ligne 14, Metro, Paris (curated by Steven Guermeur).
Il dono / The Gift:Generous Offerings, Threatening Hospitality, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy, toured in 2002 to Scottsdale Museum of Contemporary Art, Phoenix, Arizona, USA, Bronx Museum of the Arts, New York, USA, in 2003 to Block Museum of Art, Northwestern University, Evanston, Illinois, USA and to Art Gallery of Hamilton, Hamilton, Ontario, Canada (curated by Gianfranco Maraniello & Antonio Somaini). (Exh. cat.).
La Biennale di Venezia, 49. Esposizione Internationale d'Arte - Platea dell'umanita, Arsenale & Giardini, Venice, Italy (curated by Harald Szeemann). (Exh. cat.).
Camo Show, Wiesbaden Museum, Wiesbaden, Germany (curated by Alexis Vaillant). (Exh. cat.).
Really, Artists Space, New York, USA (curated by Barbara Hunt).
Hairstyling, Valerie's salon, New York, USA (curated by Toasting Agency). (Exh. cat.).
2000
Au-delà du Spectacle, Centre Georges Pompidou, Paris, France (curated by Philippe Vergne & Bernard Blistène). (Exh. cat.).
Rumor city / Mutations, Arc en Rêve, Bordeaux, France, toured in 2001 to La Rafinerie, Brussels, Belgium and TN Probe, Tokyo, Japan (curated by Hans-Ulrich Obrist). (Exh. cat.).
All you can eat!, Galerie für zeitgenössische Kunst, Leipzig, Germany (curated by Stephanie Sembill). (Exh. cat.).
Dial 33 then 1, French video Art, KIASMA, Helsinki, Finland (curated by Cristina Ricupero).
I love Paris, as part of the exhibition Duchamp's Suitcase, Arnolfini, Bristol, UK (curated by Alexis Vaillant). (Exh. cat.).
Négociations, Centre Régional d'Art contemporain, Sète, France (curated by Nicolas Bourriaud & Bernard Marcadé).
Critique et Utopie, Château de La Napoule, La Napoule, toured in 2001 to Galerie d'exposition du Musée national de porcelaine Adrien Dubouché, Limoges and to La Criée, Rennes, France (curated by Anne Moeglin-Delcroix). (Exh. cat.).
Fuori uso 2000, (The Bridges), Pescara, Italy (curated by Helena Kontova). (Exh. cat.).
Voilà, le monde dans la tête, Musée d'Art Moderne de la Ville de Paris, Paris, France (curated by Susanne Pagé, Béatrice Parent, Hans-Ulrich Obrist, Angeline Schaerf, Laurence Bossé...). (Exh. cat.).
What, How & for Whom, HDLU, Zagreb, Croatia, toured in 2001 to Kunsthalle Exnergasse, Vienna, Austria (curated by Ana Devic, Natasa Ilic, Sabina Sabolovic).
Plan B, De Appel, Amsterdam, The Netherlands (curated by Montse Badia, Simonka de Jong, Jane Bhoyroo, Boris Kremer, Florence Derieux, Sophie O'Brien). (Exh. cat.).
Hairstyling, The Haircut of the Month, Salon Coiffure Complice, Paris, France (curated by Toasting Agency). (Exh. cat.).
1999
Crash!, Corporatism and Complicity, ICA, London, UK (curated by Emma Dexter, CRASH!, Vivienne Gaskin). (Exh. cat.).
Equinox Now, L.A. Edge Festival, The Geffen Contemporary at MoCA, Los Angeles, USA (curated by Carol Ann Klonarides).
French Video Art, Santa Monica Museum of Art, Santa Monica, USA (curated by Christine Van Assche).
Rebecca Bournigault, Matthieu Laurette, Marie Sester, 3 french artists explore the unseen, New Langton Arts, San Francisco, USA (curated by Susan Miller).
Direct Translation, San Francisco Art Institute, San Francisco, USA (curated by Ella King Torrey).
Le capital (tableaux, diagrammes et bureaux d'études), Centre Régional d'Art contemporain, Sète, France (curated by Nicolas Bourriaud). (Exh. cat.).
Failure, W139, Amsterdam, The Netherlands (curated by Begoña Munoz).
Soft Résistance, Galerie Gebauer, Berlin, Germany.
Le temps libre : son imaginaire, son aménagement, ses trucs pour s'en sortir, Deauville, France (curated by Jean-Charles Masséra). (Exh. cat.).
Chicago Art Fair, Galerie Jousse Seguin, Chicago, USA.
Expander 1.0, Galerie Jousse Seguin, Paris, USA (curated by Blocnotes Magazine).
Entrée Libre, internet show ( http://www.culture.fr/entreelibre ), commissioned by the CNAP, Paris, France.
Serge Comte, Matthieu Laurette, Phillipe Meste, Galerie Jousse Seguin, Arco Art Fair, Madrid (Exh. cat.).
Managers de l'immaturité, Magasin, Grenoble, France. (Exh. cat.).
Pl@ytimes, École d'art de Grenoble, Grenoble, France (curated by École du Magasin - Charles Barachon, Keren Detton, Reiko Setsuda, Karine Vonna). (Exh. cat.).
1998
Propos Mobiles, Xth arrondissement, Paris, France (curated by Denis Gaudel). (Exh. cat.).
Premises : invested spaces in visual arts, architecture and design from France, 1958-1998, Guggenheim Museum Soho, New York, USA (curated by Christine Van Asche, Marie-Anne Lanavére). (Exh. cat.).
Éric Duyckaerts, Brice Dellsperger, Matthieu Laurette, Médiathèque Marguerite Yourcenar, Fâches Thumesnil, France.
In vitro et altro, Hors scène #3, Cabinet des estampes, Musée d'Art et d'Histoire, Geneva, Switzerland (curated by Christophe Cherix & Gianni Motti).
La collection du Centre Georges Pompidou : Un choix, Musée d'Art Moderne de la Ville de Paris, Paris, France.
Bruitsecrets, CCC, Tours, France (curated by Céline Saraiva, Olivier Reneau et Alain Julien-Laferrière).
Cityscape, Zagreb, Croatia (curated by Ami Barak).
Homo Zappiens Zappiens, Galerie Art et Essais, Rennes, France. (Exh. cat.).
Identité, Gloire et Beauté, Centre d'Art Moderne, Montreuil, France (curated by Jean-Charles Masséra). (Exh. cat.).
Ici et Maintenant (encore), Caisse des dépôts et consignations, Paris, France (curated by Yves Jammet).
Tati 50 ans, CAPC, Bordeaux, France.
1997
Group show, Galerie Jousse Seguin, Paris, France.
Réveillons nous, various locations in the XI arrondissement, Paris, France.
619 KBB 75, various locations, Paris, France (curated by Laurence Hazout/Mobile 2000). (Exh. cat.).
Ici et maintenant, Parc de la Villette, Paris, France (curated by Yves Jammet). (Exh. cat.).
Version originale, internet show http://www.lyon-city.org/mac-vo, Musée d'Art Contemporain, Lyon, France (curated by Georges Rey).
From One Point to Another, Atelier Soardi, Nice, France (curated by Robert Fleck, Axel Huber et Nathalie Goudinoux). (Exh. cat.).
Nouvelles acquisitions vidéos, Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
Vidéo, l'ironie du sort, Espace croisé, Lille, France.
Video Flash Amerika Frankreich Russland, Galerie Hohental und Bergen, Köln, Germany.
1996
Vidéo - Sans titre, Galerie Froment et Putman, Paris, France (curated by Nathalie Boutin).
Körper - Identität - Irritation : eine hypothetische Sammlung, Kunsthaus, Glarus, Switzerland (curated by Karin Frei).
Précipité(e)s, Galerie des Archives, Paris, France (curated by Muriel Collin-Barrand).
Monstrosities 1 et 2, Hackesche Höfe, Berlin, Germany, toured to Leipzig, Germany (curated by Raphaëlle Jeune).
Galerie Chez Valentin, Paris, France.
Réveillons-nous, c/o Jean- Christophe Robert, Paris, France (curated by Clarisse Hahn).
Aerosphère 2, La Flêche d’or, Paris, France (curated by Armelle Leturck and Frank Perrin).
49,90 F, La Caisse, Nice, France.
Séances, CREDAC, Ivry sur Seine, France.
1995
Mobile Home Vidéo, Ex-in-art, Paris, France.
Un monde chez soi / World at home, Centre pour l'Image Contemporaine, St Gervais-Genève, Geneva, Switzerland (curated by Simon Lamunière).
Nice by night 3, Nice, France. (Exh. cat.).
Cosmos, des fragments futurs, MAGASIN-CNAC, Grenoble, France (curated by Frank Perrin). (Exh. cat.).
OUT, Ecole d’Art, Grenoble, France.
1994
Nice by Night 1, Nice, France.
Nice by Night 2, Nice, France.
1993
16 à l'ombre, MAGASIN-CNAC, Grenoble, France (curated by Adelina Von Furstenberg).
SELECTED APPARITIONS
(last updated 21 November 2007) - update coming soon -
2007
Pliskin, Fabrice."Julien Doré, Mon dada à moi". Le Nouvel Observateur (Paris), No 2227, (12-18 July 2007):4-6.
Dutourd, Edouard & Williams, Patrick. "Julien décrypté: Qui est vraiment la nouvelle star?" ELLE (Paris), No 3208, (25 June 2007):69-70.
Niemojewski, Rafal. 'TV Eye on You'. Useless (London), No 5, (Spring 2007):10-11
2006
de Beauvais, Jean-Baptiste. 'TF1 par Matthieu Laurette' in 'Briefs d'artistes - Stratégies et le Palais de Tokyo presentent 11 Marques vues par 11 artistes'. Stratégies (Issy Les Moulineaux), No 1431 (6 October 2006): 60.
"Salut les Artistes", Technikart (Paris) no. 106 (October 2006):64
"Ce soir ou jamais", France 2 (28 September 2006)
Sherwin, Skye. 'Let's Make Lots of Money'. i-D (London), No. 269 (September 2006)
Morimatsu, Minako. Spur (Tokyo) No 196 (February 2006):87.
2005
Politi, Giancarlo. "John Currin: An interview by the readers of Flash Art" Flash Art (Milan) no. 243 (July-September 2005):100.
Politi, Giancarlo. "Jeff Koons: An interview by the readers of Flash Art" Flash Art (Milan) no. 240 (January-February 2005):89.
2004
"Today", NBC (31 December 2004).
"The Early Show", CBS (30 December 2004).
"Live with Regis & Kelly", ABC (17 November 2004).
Politi, Giancarlo. "Maurizio Cattelan: An interview by the readers of Flash Art" Flash Art (Milan) no. 237 (July-September 2004):90-95.
2003
"Nuits: Bal Jaune." Jalouse (Paris),no. 66 (December 2003 - January 2004):188.
Nater, Hélène."Club Officiel." L'Officiel de la couture et de la mode de Paris (Paris), no. 881 (December 2003 - January 2004):266.
"Le Bal Jaune avec Ricard SA et Beaux-Arts Magazine." Le Magazine de la discothèque et des disc-jockeys (Paris) (December 2003).
Laurette, Matthieu. " Déjà Vu (The World selection)." Crash (Paris), no.27 (Autumn 2003):104-105.
"Sois Blast et tais-toi." Blast (Paris), no. 10, (November - December 2003): 124.
Laurette, Matthieu. "Matthieu Laurette et Drinks By..." Les Inrockuptibles (Paris), no.416 (November 19-25, 2003): 81.
"Le Bal Jaune Ricard: petit voyage sous le signe du soleil." Paris Capitale (Paris), no. 92 (November 17 -December 15, 2003): 147.
"Event." Night Life, Le Magazine de la Nuit (Metz), no. 10 (October - November 2003).
Les uns et les autres. Madame Figaro (October 31, 2003).
"Instantanés." Le Figaro Magazine (October 25, 2003).
"Zapping." Madame Figaro (October 25, 2003).
Del Moral, Alexandre. "Fêtes." Oh La! (Paris), no. 266 (October 22-28, 2003): 70.
"Corinne Ricard. Quand Ricard rime avec Art." Point de Vue (Paris), no. 2883 (October 22-28, 2003): 33.
Laurette, Matthieu. "Buvez de l’art entre amis!" in Boyé, Marie, En cuisine, 78-79. Paris, Editions du Seuil, 2003.
Bearn, Emily. "Mine’s a double." The Sunday Telegraph Magazine (London) (February 16, 2003): 35-38.
Muir, Kate. "Fraught and social." The Times Magazine (London) (February 8, 2003): 7.
"Echos. Sosies à gogo. Du beau linge." Gala (Paris) (February 6-12, 2003): 16.
"It’s an oddjob but someone’s got to do it." West End Extra (London) (January 31, 2003).
X Hall, Sarah. "My week: Alan Beck, Dean Martin lookalike. ‘It beats selling fork-lift trucks’." The Guardian-G2 (London) (January 31, 2003): 19.
Mc Neil, Rob. "Looks Familiar ?." Evening Standard (London) (January 29, 2003): 7.
"Are you a celebrity lookalike? 5th International Lookalike Convention." The Stage (London), no. 6352 (January 16, 2003): 15.
"X-Tracts. Who does she think she is ?." QX (London) (January 15, 2003): 8.
2002
"Classified. General. Are you a Marilyn Monroe clone? Are you mistaken for Tom Jones?." The Big Issue (London), no. 518 (December 9 15, 2002): 36.
"Noticeboard. Are you a Marilyn Monroe clone?." Evening Standard (London) (November 29, 2002): 65.
Nassif, Philippe. "Le libéralisme, et après? De l’utopie à la réalité." Technikart (Paris), no. 64 (July-August 2002): 69.
"L'artiste Raymond Hains rendant visite à la statue de cire de Jean Paul Sartre au musée Grévin." Libération (Paris) (July 20-21, 2002): 35.
Braunstein, Chloé and Staudenmeyer, Pierre. "La société du design ou la démocratie à acheter." Beaux Arts Magazine (Paris), no. 214 (March 2002): 87.
“Third International Look-alike Convention.” X Press Magazine (Perth), no.780 (January 24, 2002).
Laurie, Victoria. "Double Take." The Australian (Sidney), no. 11,613 (January 25, 2002): 12-13.
2001
Denan, Pierre. Libre 1 (Paris) (December 2001).
Weber, Anne. "Le Picasso du pique-assiette." Edelweiss (Lausanne), no. 33 (November 2001): 15.
Leonardini, Marina. "Al Castello di Rivoli la vita è tutta un sosia." La Stampa (Turin) (October 17, 2001): 51.
Laurette, Matthieu. "Apparition ‘J’y crois, J’y crois pas’ ‘The secret of free shopping’." twoninetwo essays in visual culture (Edinburgh), no. 2 (2001): 73-77.
2000
"The freebie King." Daily Record (Glasgow) (December 8, 2000): 37.
Mc Lean, Sally. "King of Freebies teaches canny Scots how to bid bills 'au revoir'." Daily Express (Glasgow) (December 8, 2000): 25.
"French man makes art of free living." Metro (Glasgow) (December 8, 2000): 3.
"News." BBC Radio Scotland (December 8, 2000).
"La gestion ubuesque de l’art subventionné." Capital (Paris), no. 110 (November 2000): 124.
"Castings." Libération (Paris), no. 6021 (September 25, 2000): 43.
1999
Wilcox, Hester. "Cote Ouest." In The Artclub, CNN, TV (USA) (October 1999).
"The Big Breakfast." Channel 4, TV (UK).
Gee, Jack. "The secret of free shopping." Daily Express (October 22, 1999):23.
Sabatier, B. "Bosco corico." Technikart (Paris), no. 36 (October 1999): 52-55.
"Ca alors." RTL TV, TV (Belgium).
"66 projets pour 99." Crash (Paris), no. 6 (February March 1999): 42-47.
1998
Pl@net 7 (Montreuil), no. 0, suplement to Netsurf no. 33 (December 1998):17.
"Les mordus." France 3, TV (France).
"Parole d'expert." France 3, TV (France).
"Planet cyber: L'art de resquiller." Science et Avenir (Paris), no 619 (September 1998): 98.
As seen on TV T-shirts, ad and order form, Metropolis M (Utrecht), no. 4 (August - September 1998): 65.
de Moulins, Xavier and Eudes, Yves. "WWW.labart.univ-paris8.fr/~laurette /expl. htm : Trucs et astuces pour se faire rembourser tous ses achats et vivre gratis." Le Monde (Paris), no. 16620 (July 4, 1998): 26.
Touron, Emmanuel. "Matthieu Laurette à Poitiers : Le beurre et l'argent du beurre." Centre presse (Poitiers), no. 144 (June 24, 1998): 1, 5.
"Conférence : des achats remboursés ?" Centre presse (Poitiers), no. 142 (June 22, 1998).
Touron, Emmanuel. "Conférence : Vos achats remboursés." Centre presse (Poitiers) (May 20, 1998).
"As seen on TV". T.shirts, ad and order form, Casco issues (Utrecht), no. 4 (May 1998): 6, 7.
Gresta, Jean-Marc. "Depuis 4 ans cet internaute ne consomme que des produits gratuits." Entrevue (Paris), no. 69 (April 1998): 85.
"Le Confort Moderne." programme (Poitiers) (April, May, June 1998).
Latva, Virpi. "Syö ja pese ilmaiseksi markkinataloudessa." Vihreälanka (Helsinki), no. 8 (February 19, 1998): 1, 12.
"Caddy en folie." Univers mac (Paris), no. 74 (January 1998): 141.
1997
"Comment gagner des sous avec les promos." Sept à l'ouest (Nantes), no. 3 (December 18, 1997): 5.
"Le festin de Laurette." Aléas, France 3, TV (France) (November 27, 1997).
"Comment faire ses achats remboursés." Mobile TV, TV (Dijon) (November 11, 1997).
"Acheter et... se faire rembourser." .Net (Paris), no. 12 (November 1997): 27.
"Vivons remboursé!." Nantes Passion (Nantes), no. 78 (November 1997): 22.
Europe 2, Radio (France) (October 21, 1997).
Le Menn, Jean. "Matthieu Laurette, spécialiste des 'achats remboursés' : il a animé un débat pour expliquer et généraliser sa méthode." Ouest-France, edition Nantes (Rennes), no. 16099 (October 21,1997): 17.
"Matthieu Laurette consommateur actif." JT M6 Nantes, TV (France) (October 17, 1997).
"L'Agenda." Jet FM, Radio (Nantes) (October 17, 1997).
Le Menn, Jean. "Dervallières, Les échos du vendredi : travaux, sports, santé, consommation." Ouest-France, edition Nantes (Rennes), no. 16096 (October 17, 1997): 21.
Collas, Gilles. "Matthieu, client satisfait et remboursé." Ouest-France, edition Nantes (Rennes), no. 16094 (October 15, 1997): 15.
Europe 2 Nantes, Radio (Nantes) (October 15, 1997).
"Vivons remboursés : des démonstrations d'achats économiques." Ouest-France, edition Nantes (Rennes), no. 16094 (October 15, 1997): 11.
"Matthieu Laurette consommateur actif." JT France 3 estuaire, TV (France) (October 14, 1997).
Alouette FM, Radio (Nantes) (October 13, 1997).
Le Menn, Jean. "Dervallières, Les échos du vendredi : musique, transports, expo, achats remboursés, charges locatives." Ouest-France, edition Nantes (Rennes), no. 16090 (October 10, 1997): 17.
"11h / 12h Dechavanne." Europe 1, Radio (France) (October 6, 1997).
Aberton, Nicolas. "Le Caddie gratos de Matthieu Laurette." Le Journal du Parc - Lettre d'information interne du parc de la Villette (Paris), no. 6 (October 1997): 5.
"Vu à la télé." Netsurf (Paris), no. 19 (October 1997): 27.
Cot, Bruno. "Comment arrondir ses fins de mois en chassant les promotions." VSD (Paris), no. 1048 (September 25, 1997): 5, 104.
De Guillebon, François. "Économisez jusqu'à 2000 Francs par mois grâce aux coupons de réduction." Réponse à tout (Paris) (August 1997): 1, 28-29.
Mandon, Victor. "Tout le monde pourrait manger gratis, mais personne n'en profite." Newlook (Paris), no. 166 (July 1997): 4, 24-25. Interview.
"Nonante." Canal Jimmy, TV (France) (June 1997).
"Une oeuvre à consommer à l'oeil." Biba (Paris), no. 208 (June 1997): 38.
"Journal de 13h et de 20h." France 2, TV (France) (May 16, 1997).
Krémer, Pascale. "Demain on mange Gratis." Le Monde (Paris), no. 16267 (May 16, 1997): 1.
Vaillant, M.-F. "Pas regardant sur le prix, mais sur l'étiquette." La voix du Nord (Lille) (May 8, 1997).
Sortir (Lille), no. 342 (April 23-29, 1997): 43.
"Nova." Paris première, TV (France) (April 19, 1997).
"Fissa." Radio Nova, Radio (France) (April 18, 1997).
Saint-André Perrin, Cédric. "Satisfait ou remboursé." Madame Figaro (Paris) (April 1997): 54.
Paris Boum Boum ! (Paris), no. 797(April 14, 1997): 14.
"Les Plans capitaux." Radio FG, Radio (France) (March 28, 1997).
Petit, Élisabeth. "Consommé c'est remboursé." L'Itinérant (Paris), no. 129 (March 25, 1997): 1, 6-7. Interview.
"Sans aucun doute." TF1, TV (France) (March 21, 1997) (dossier Système D, combines, débrouilles : comment se sortir de la crise).
"Show Biz." CTV contact, TV (France) (March 12-27, 1997).
"Messages." Inter Service (Nantes), no. 922 (February 17, 1997): 10
1996
Bon plans magazine (Paris), no. 1 (October 1996): 4, 7, 10, 36-37.
"Bienvenue chez nous." M6, TV (France) (September 1996).
"J'y crois, j'y crois pas." TF1, TV (France) (June 20, 1996).
“Nulle Part Ailleurs” Canal +, TV (France) (September 12, 1996).
"Qui est qui." France 2, TV (France).
"Je passe à la télé." France 3, TV (France) (May 16, 1996).
"Radio printemps." radio FG 98,2, Radio (France).
"L'or à l'appel." TF1, TV (France) (March 26, 1996).
1995
Le Livre des Laurette du monde entier, Paris: Editions Halbert.
Blocnotes (Paris), no. 8 (Winter 1995): 6, 116.
"Le Grand Zapp." M6, TV (France).
"Portraits." Max (Paris), no. 71 (July 1995): 145.
"Achats Recherche : Films." Okaz (Paris), no. 25 (May 1995): 126.
Crème de la crème, la mini revue DAC (Grenoble), no. 1.
"Portraits." Max (Hamburg), no. 5/95 (May 1995): 269.
Troc tout (Paris), no. 16 (May 4, 1995): 3.
Troc Tout (Paris), no. 15 (April 20, 1995): 5, 14.
Troc Tout (Paris), no. 13 (March 16, 1995): 17,19, 28.
"Figurants." Jeune à Paris (Levallois-Perret), no. 38 (March 1995): 100.
"Perdu Trouvé." Info Annonces (Grenoble), no. 441 (February 14, 1995): 29.
"Figurants." Booking & free lance, le mensuel de tous les castings (Paris), no. 10 (February-March 1995): 18.
"Perdu Trouvé." Info Annonces (Grenoble), no. 439 (January 31, 1995): 39.
"Le Cercle de minuit." France 2, TV (France) (January 24, 1995).
"Les Messages de Rapido Annonces rythment les journées de la chaîne MCM." Libération (Paris), no. 4253 (January 20, 1995): 53.
"La Grande famille." Canal +, TV (France) (January 5, 1995) ('Je ne sors pas de chez moi').
"Artistes du spectacle." Les Pages Jaunes (Isére) (1995): 92.
1994
"Rapido Annonces." MCM, TV (France) (December 12-18, 1994. Three broadcasts a day).
"La Grande famille." Canal +, TV (France) (December 5, 1994).
"Vincent à l'Heure." France 3, TV (France) (December 2, 1994).
"Que le meilleur gagne." France 2, TV (France) (November 28, 1994).
"Les gagnants." Salut (Paris), no. 178 (September 5-18, 1994): 36.
"Vêtements." Le 38 Annonces (Grenoble), no. 1203 (February 28, 1994): 5.
"Frou Frou (Interdit aux Hommes)." France 2, TV (France) (February 26, 1994).
"La Fièvre de l'après-midi." France 3, TV (France) (February 21, 1994).
"Le Cercle de minuit." France 2, TV (France) (February 10, 1994).
"Bonnes affaires - 500F." Info Annonces (Grenoble), no. 393 (February 8, 1994): 40.
Domus (Milan), no. 756 (January 1994): 67.
"Annonces / Faîtes part / Messages." Libération (Paris), no. 3944 (January 25, 1994): 31.
1993
"Français si vous parliez." France 3, TV (France) (April 28, 1993).
"Tournez Manège." TF1, TV (France) (March 16, 1993).
"De bouche à Oreille: Alighiero e Boetti." Exh. cat. Grenoble: Edition Magasin.
1991
"Mégamix." La Sept, TV (France).
"Journal de 13 h." TF1, TV (France).
"Les goûts et les couleurs." Beaux Arts Magazine (Paris), no. 87 (February 1991): 22.
SELECTED VIDEO SCREENINGS
(last updated 30 December 2008) - update coming soon -
2008
Face à Face: Kota Ezawa / Matthieu Laurette, Auditorium du Louvre, Paris.
Call & Response, Mudam, Luxembourg (curated by Candice Breitz)
2007
MediaScope: An Evening With Matthieu Laurette, MoMA, New York, USA.
Tank TV: I'm A Future Melancholic, Tate Modern, London, UK. (Curated by Laure Prouvost and Anne-Sophie Dinant for tank.tv.)
2006
No More Reality, Step 2, BELEF 2006, Center for Cultural Decontamination, Belgrade, Serbia (curated by Claire Staebler, Jelena Vesic and Ana Nikitovic)
2005
Carlos Amorales, Pavel Braila, Mircea Cantor, Koo Jeong-A, Matthieu Laurette, 24/7 screenings in the windows, Yvon Lambert, New York, USA.
2004
Déjà vu, The7th International Look-alike Convention at Dia Art Foundation's Fall Gala, Yvon Lambert, New York, USA.
2003
Prospectif cinema : French Touch, November 27, MNAM - Musée National d'Art Moderne, Centre Pompidou, Paris.
Television Works 1993-2003: Matthieu Laurette, Evolution 2003, Ster Century Cinema, Leeds, UK (curated by Lumen).
2002
The Center of Attention at Shoreditch Church, December 6, Shoreditch Church, London, UK.
La nuit art video 3, 22 March 2002, Le Forum Itinerant, Strasbourg (curated by Karine Vonna)
2000
Version_2000, November 4-17, centre pour l'image contemporaine, Geneva, Switzerland.
Dial 33 then 1, KIASMA, Helsinki, Finland (curated by Cristina Ricupero).
1999
Equinox Now, L.A. Edge Festival, The Geffen Contemporary at MoCA, Los Angeles, USA (curated by Carol Ann Klonarides).
French Video Art, Santa Monica Museum of Art, Santa Monica, USA (curated by Christine Van Assche).
± TV, Arteleku, San Sebastian, Basque Country, Spain (curated by Alexis Vaillant & Franck Larcade).
Télé[o], Nantes, France.
Matthieu Laurette, Cinéma Nova, Verbindingen/Jonctions3, Constant vzw, Brussels, Belgium.
De Vijfde Dimensie, Begane Grond, suB-K, Utrecht, The Netherlands. (Exh. cat.).
Matthieu Laurette : Apparitions/Projection, Festival de l'art en vidéo, Musée d'Art Contemporain, Lyon, France.
1997
Rencontres Hors Circuit, Cinéma Christine Odéon, Paris, France.
Video Flash Amerika Frankreich Russland, Galerie Hohental und Bergen, Köln, Germany.
Les 10 jours de l'art contemporain, Frac Poitou-Charentes, Angoulême, France.
1996
Précipité(e)s 2, La Flèche d'or, Paris, France.
Peyotl, Le couvent, Paris, France.
Médiathèque Aquitaine, Bordeaux, France.
Thés vidéos, Paris, France.
Rencontre jeunes artistes vidéos, Annecy, France.
Aérosphère 2, La Flèche d'or, Paris, France (curated by Armelle Leturcq & Frank Perrin).
1995
Soirée Blocnotes, La Flèche d'or, Paris, France.
Séances Cosmos, Magasin, Grenoble, France.
Bandit-Mages, Festival vidéo, Bourges, France. (Exh. cat.).
Mucho vidéos, Magasin, Grenoble, France.
Laboratoires, Soirée Blocnotes, Le Globo, Paris, France.
1994
Bandits-Mages, Festival vidéo, Bourges, France. (Exh. cat.).
Nice by Night, Nice, France.
Elac vidéo, Lyon, France (curated by Georges Rey).
1993
Carte blanche à Bandit-Mages, Festival vidéo, Gentilly, France.
Bandits-Mages, Festival vidéo, Bourges, France.
Programme, Champs magnétiques, Bordeaux., France.
SELECTED COLLECTIONS
Musée National d'Art Moderne, Centre Pompidou, Paris, France.
CNAP - Centre National des Arts Plastiques, Paris, France
FNAC - Fond National d'Art Contemporain, Puteaux/Paris, France.
FRAC Languedoc-Roussillon, Montpellier, France.
FRAC-Collection Aquitaine, Bordeaux, France.
Fondation d'entreprise Ricard, Marseille/Paris, France.
The Jerry Speyer Family, New York, USA.
Collection Jean Brolly, Paris, France
Deweer Family Collection, Otegem, Belgium
William Grant and Sons Ltd, Dufftown, Scotland.
La Coleccíon Berezdivin, San Juan, Puerto Rico.
Iwan & Manuella Wirth, Zürich, Switzerland
Gregory Papadimitriou, Athens, Greece
Marc Atlan, Los Angeles, USA
SELECTED WEBSITES
Le web des produits remboursés, 1996-2001
(archived offline)
Citizenship Project 2.O, 1998-2005
(archived offline)
Composite, 1999
http://www.laurette.net/composite
(archived offline)
Global Demix iHome Studio, 1999-on going
http://www.laurette.net
El Gran Trueque, 2000
(archived offline)
How to launch a rumour on Internet ?, 2000
http://www.rumor.laurette.net
(archived offline)
Comment lancer une rumeur sur Internet ?, 2000
http://www.rumeur.laurette.net
(archived offline)
www.moneybackshopping.net, 2000 2001
(archived offline)
Help me to become a US citizen!, 2001 2005
(archived offline)
Help me to become a Swiss citizen!, 2001 - 2005
(archived offline)
Drinks By, The Beer, Wine and Other Alcohol Art Archive, 2003 on going
www.drinksby.net
(archived offline)
Matthieu Laurette Fan Club Official MySpace, 2006 - 2009 / archived online
www.myspace.com/matthieulaurette
Matthieu Laurette Official Facebook, 2007 - on going
www.facebook.com/people/Matthieu_Laurette/787616958
BIBLIOGRAPHY: SELECTED CATALOGUES AND PUBLICATIONS
(last updated 21 November 2007) - update coming soon -
2007
Ateliers: L'artiste et ses lieux de création dans les collections de la Bibliothéque Kandinsky. Exh. cat. Paris: Centre pompidou, 2007.
Heiser, Joerg. Plötzlich dieses Ubersicht: Was gute Zeitgenössiche Kunst Ausmacht. 315, 322, 323. Berlin: Claasen-Ullstein Buchverlage.
2006
Frieze Projects : Artists' Commisions and Talks. London: Frieze, 2006.
No More Reality, Step 2. Exh. cat. Belgrade: BELEF Center, 2006.
Les Figures de l'acteur: Le paradoxe du comédien. Exh. cat. Avignon: Collection Lambert/Gallimard, 2006.
Para todos los publicos. Exh. cat. Bilbao: Sala Rekalde/Revolver verlag, 2006
New Media 1965-2005. Exh. cat. Taipei: Taipei Fine Art Museum, 2006.
Notre Histoire. Exh. cat. Paris: Palais de Tokyo/ Paris Musées, 2006.
2005
Superstars- Das Prinzip Proeminenz, von Warhol bis Madonna. Exh. cat. Ostfildern: Hatje Cantz, 2005.
M-City: European Cityscape. Exh. cat. (Graz): Kunsthaus Graz, 2005.
Tiempos de Video 1965-2005. Exh. cat. (Barcelona): Fundacio « La Caixa », 2005.
T142, Exh. cat. (Otegem): Deweer Art Gallery, 2005.
BMW, The Black Book, IX Baltic Triennal. Exh. cat. Vilnius/Frankfurt: CAC/Revolver, 2005.
Van Den Abeele, Lieven. “Kunst, commercie en consumptie.” In Context #2. 144, 152. Hasselt (Belgium): CIAP, 2005.
Populism. Exh. Cat. New York: Lukas & Sternberg, 2005.
Schmitz, Edgar. “Déjà vu.“ In The Populist. 17. Newspaper published on the occasion of the show Populism. Helsinki, Vilnius, Oslo, Amsterdam, Frankfurt: NIFCA, 2005.
Senaldi, Marco. “Per una critica artistica dell’ economia / For an artistic critic on the economy.“ Work, Art In Progress, no.12 (2005) : 34
2004
La rue aux Artistes. 15, 50. Exh. Cat. Paris: Guillaume Garouste, Artegalore, 2004.
Couturier, Elisabeth. L’art contemporain, mode d’emploi. 19, 141, Paris: Filipacchi, 2004.
No principio era a viaxe / In the beginning there was the journey. 35, 142-147. Exh. Cat. Pontevedra: 28 Biennal de Pontevedra, 2004.
Badia, Montse; Kaufmann, Andreas. Mediascape/Paisatges Mediatics. 65. Exh. Cat. Lleida: Fundacio La Caixa, 2004.
Terminal 5. Exh. Cat. New York: Lukas & Sternberg, 2004.
Eclips. 42, 57, 103-105, 119, 146. Exh. Cat. Otegem: Deweer Art Gallery, 2004.
Chalumeau, Jean-Luc; Mollard, Claude. Quand les Artistes entrent à l’Université, 10, 46. Exh. Cat. Paris: Sceren, 2004.
Forest, Philippe. Raymond Hains Uns Romans, 22. Paris: Gallimard (Art et Artistes), 2004.
Matthieu Laurette presents Commodities: featuring Jeff Koons, Robert Ryman & Andy Warhol, Exh. Cat. Otegem: Deweer Art Gallery, 2004.
Moeglin-Delcroix, Anne. Guardare, Raccontare, Pensare, Conservare. 236. Mantova: Casa del Mantegna, 2004.
Bourriaud, Nicolas. Postproduction, 8, 71. Dijon: Les Presses du Réel, 2004.
Teerlinck, Hilde. The Place to be, CRAC Alsace Catalogue 2003>04, 50. Altkirch: CRAC Alsace, 2004.
2003
Bourriaud, Nicolas. GNS (Global Navigation System), 27, 136-139. Exh. cat. Paris: Editions du Cercle d’art, 2003.
Masséra, Jean-Charles. Sex, Art, and the Dow Jones, 254-257. New York: Lukas & Sternberg, 2003. Essay. (first published as Amour, gloire et CAC 40, 297-302. Paris: éditions POL, 1999. Essay).
Hubaut, Joël. Hiatus 1996-98, DVD. Caen: Frac Basse-Normandie, 2003.
Leturcq, Armelle. The World. Paris: Crash, 2003.
Artists at Glenfiddich, 37. Dufftown: William Grant and Sons, 2003.
Beausse, Pascal. Propaganda. Exh. Cat. Paris: Espace Paul Ricard, 2003.
Boyé, Marie. En cuisine, 78. Paris: Editions du Seuil, 2003.
2002
Bourriaud, Nicolas. Postproduction: culture as screenplay: how art reprograms the world, 10, 66. New York: Lukas & Sternberg, 2000, c2002. Essay.
Kim, Sungwon. Less Ordinary. Exh. Cat. Seoul: Artsonje Center, 2002.
Thély, Nicolas. Vu à la webcam (essai sur la web-intimité), 77-78, 164-165. Dijon: Les Presses du Réel, 2002. Essay.
"A Paris Conversation, entre Alison Gingeras, Matthieu Laurette, Nadia Lauro, Eva Svennung, Alexis Vaillant." in Circles, 280-293. Frankfurt: Revolver / Karlsrhue: ZKM, 2002. Interview.
Ardenne, Paul. Un art contextuel, 225, 228. Paris: Flammarion, 2002. Essay.
Le livre du FRAC-Collection Aquitaine, Panorama de l’art d’aujourd’hui, 364-367. Bordeaux: Le Festin/FRAC-Collection Aquitaine, 2002.
Zaunschirm, Thomas. "The art of making money." In Money and Value / The Last Taboo, 93-94. Zürich: edition Oehrli, 2002.
2001
Deitch, Jeffrey. "If it doesn't fit, you must aquit." In Form Follows Fiction. Exh. cat. Milan: Charta, 2001.
Fraser, Marie. Le Ludique, 40-43, 105, 109. Exh. cat. Quebec: Musée du Québec, 2001.
Ricupero, Cristina. "Interview with Matthieu Laurette." Social Hackers. Exh. cat. Helsinki: Frame / Nifca, 2001.
Beausse, Pascal. "Matthieu Laurette." In La Biennale di Venezia, 49. Esposizione Internationale d'Arte - Platea dell'umanita, 264-265. Exh. cat. Venezia: Electa, 2001.
Champey, Ines. "Un formalisme réaliste." In Formalisme, Jeux de formes, 75-101. Paris: Publications de La Sorbonne, 2001. Essay.
Il dono / The Gift, 51, 69, 413, 466-467. Exh. cat. Milan: Charta, 2001. Essays by various authors: Antonio Somaini, Gian Franco Maraniello, Harald Szeemann et al.; documentation of works.
Larcade, Franck. "Consonni, pensar es facil, actuar es dificil, actuar de acuerdo con un pensamiento es lo mas dificil." In En tiempo real, el arte mientras tiene lugar, 95-96. Coruna : Fundacion Luis Seoane, 2001.
Vaillant, Alexis. "Téléviseurs, Télévision et TV." In Les Nouvelles images en 2001. Tome 1 - Télévision, Vidéo, Internet, Chroniques de L'AFAA, 8-14. Paris: Éditions AFAA, 2001. Essay.
Parfait, Françoise. Vidéo : un art contemporain, 43, 47,266. Paris: Editions du Regard, 2001.
Hairstyling, Exh. cat / Poster. Paris: Toasting, 2001. Essay by Alexis Vaillant; documentation of works.
Loubier, Patrice; Ninacs, Anne-Marie. Les Commensaux, When Art Becomes Circumstance, 27-28, 204, 206. Exh. Cat. Quebec: Skol, Centre des arts actuels, 2001.
2000
Vivre Sa Vie. Exh. cat. Glasgow: Vivre Sa Vie, 2000. Essay by Ami Barak; Artist project.
All You Can Eat!. Exh. cat. Leipzig: Galerie für zeitgenössische Kunst, 2000.
Fuori Uso 2000, The Bridges, 50-53. Exh. cat. Milan: Giancarlo Politi editore, 2000.
Voilà. Exh. cat. Paris: Paris-Musée / Les Inrockuptibles, 2000.
Plan B, 12-14, 20, 41-45, . Exh. cat. Amsterdam: De Appel, 2000.
Masséra, Jean-Charles. Le temps libre: son imaginaire, son aménagement, ses trucs pour s'en sortir, 18, 35, 54-58. Exh. cat. Deauville, 2000.
1999
Matthieu Laurette, Mamco, Geneva, Switzerland.
Crash! Corporatism and Complicity. Exh. cat. London: ICA, 1999.
Masséra, Jean-Charles. Amour, gloire et CAC 40, 297-302. Paris: éditions POL, 1999. Essay. (see also Sex, Art, and the Dow Jones, 254-257. New York: Lukas & Sternberg, 2003. Essay.)
Bourriaud, Nicolas. Le Capital, tableaux, diagrammes & bureaux d'études. Exh. cat. Sète: Centre Régional d'Art Contemporain, 1999.
Pl@ytimes, 33, 40-41. Exh. cat. Grenoble: Magasin, 1999.
Managers de l'immaturité. Exh. cat. Grenoble: Magasin, 1999.
1998
Propos Mobiles, 8, 46-47, 56-57. Exh. cat. Paris: Association Projet 10, 1998-99.
Laurette, Matthieu. Free Sample Demix. Paris: Galerie Jousse Seguin, 1998. Essay by Alexis Vaillant; documentation of works 1993-1998; biography; exhibition chronology; bibliography. Artist publication.
619 KBB 75. Exh. cat. Paris: Mobile 2000, 1998.
Masséra, Jean-Charles. A quoi rêvent les années 90 ?, 36-39. Exh. cat. Montreuil: Centre d'Art Moderne, 1998.
Homo Zappiens Zappiens, 16, 88-90. Exh. cat. Rennes: Presses Universitaires de Rennes, 1998.
1997
Vaillant, Alexis. "Matthieu Laurette: La folie des Produits remboursés." In Ici et maintenant, 68-70. Exh. cat. Le Méjean: Éditions Actes Sud, 1997.
From one Point to Another. Exh. cat. Nice: l'Atelier Soardi, 1997.
Ardenne, Paul. Art, l’âge contemporain, 309. Paris: Editions du Regard, 1997.
1995
6e Semaine Internationale de Vidéo. Exh. cat. Geneva: SGG-Centre pour l'image contemporaine, 1995.
Cosmos, des fragments futurs, 86, 127. Exh. cat. Grenoble: MAGASIN, 1995.
BIBLIOGRAPHY: SELECTED SELF-PUBLICATION, ARTISTS BOOKS, POSTERS AND MULTIPLES
(last updated 2005) - update coming soon -
2005
Laurette, Matthieu. Raymond Hains rendant visite à Jean-Paul Sartre au Musée Grévin, postcard published by IESA, Paris on the occasion of the exhibition L'oeil écoute, Metro Saint Germain des Prés, Paris, 2005. ed. 1000, not numbered.
2001
Laurette, Matthieu. Re-voila, Paris: Paris Musee/ARC-Musee d'art Moderne de la ville de paris/artist publication, 2001. ed. 10000, not numbered.
1998
Laurette, Matthieu. Free Sample Remix by Bosco, Serge Comte, LNa+2XL, Mr Learn, RM, DJ Sid,
tetrapak. Record, Vinyl LP. Paris: Galerie Jousse Seguin, 1998. ed. 200 not numbered.
Laurette, Matthieu. Free Sample Demix. Artist publication. Paris: Galerie Jousse Seguin, 1998. Essay by Alexis Vaillant; documentation of works 1993-1998; biography; exhibition chronology; bibliography. ed. 1000, not numbered.
Matthieu Laurette. L’or est à nous. Special commission for Tati’s 50th Anniversary. Bag designed by the artist and distributed to Tati’s customers, November 1998.
1997
Laurette, Matthieu. Produits remboursés, le guide. Edition September 1997.Paris: artist publication, 1997. ed. 100, not numbered.
Laurette, Matthieu. Produits remboursés, le guide. Edition April 1997. Paris: artist publication, 1997. ed. 100, not numbered.
BIBLIOGRAPHY: SELECTED CONTRIBUTIONS AND COMMISSIONS IN PRINT
(last updated 21 November 2007) - update coming soon -
2006
de Beauvais, Jean-Baptiste. 'TF1 par Matthieu Laurette' in 'Briefs d'artistes - Stratégies et le Palais de Tokyo presentent 11 Marques vues par 11 artistes'. Stratégies (Issy Les Moulineaux), No 1431 (6 October 2006): 60.
2004
Laurette, Matthieu. Esse Arts + Opinions (Montréal) no. 54 (September 2004):42.
2003
Laurette, Matthieu. " Déjà Vu (The World selection)." Crash (Paris), no.27 (Autumn 2003):104-105.
Laurette, Matthieu. "Matthieu Laurette et Drinks By..." Les Inrockuptibles (Paris), no.416 (November 19-25, 2003): 81.
Laurette, Matthieu. "Buvez de l’art entre amis!" in Boyé, Marie, En cuisine, 78-79. Paris, Editions du Seuil, 2003.
Laurette, Matthieu. "The Freebie King." In Mir, Aleksandra, Corporate Mentality, 210-213. New York: Lukas & Sternberg, 2003.
Laurette, Matthieu. "Pleine page à Matthieu Laurette." Rézo international AFAA (Paris), no. 11 (Spring-Summer 2003): 29.
2001
Laurette, Matthieu. "Apparition ‘J’y crois, J’y crois pas’ ‘The secret of free shopping’." twoninetwo essays in visual culture (Edinburgh), no. 2 (2001): 73-77.
Laurette, Matthieu. "Urban rumors." In Mutations. Exh. cat. Bordeaux: arc en rêve centre d’architecture / Barcelona: ACTAR, 2001
1999
Laurette, Matthieu. "TV International. Frankrijk." Metropolis M (Utrecht), no. 4 (August September, 1999): 56.
1998
Fiches cuisines d’artistes pour le web. Supplement of Synesthésie, electronic magazine, no. 7, 1998.
1997
From one Point to Another. Exh. cat. Nice: l'Atelier Soardi, 1997.
L’index. Catalogue de vente par correspondance (Paris), no. 3 (January 1997).
1996
L’index. Catalogue de vente par correspondance (Paris), no. 2 (June 1996).
1995
Laurette, Matthieu. "Vu à la TV." Blocnotes (Paris), no. 8 (Winter 1995): 6-7.
Laurette, Matthieu. Matthieu Laurette recycle son papier et disperse ses livres dans les rayons de la bibliothèque Saint Bruno. In L’été, 1995. Publication.
Crème de la crème, la mini revue DAC (Grenoble), no. 1.
BIBLIOGRAPHY: SELECTED INTERVIEWS
(last updated 21 November 2007) - update coming soon -
2007
Niemojewski, Rafal. 'TV Eye on You'. Useless (London), No 5, (Spring 2007):10-11
2006
de Beauvais, Jean-Baptiste. 'TF1 par Matthieu Laurette' in 'Briefs d'artistes - Stratégies et le Palais de Tokyo presentent 11 Marques vues par 11 artistes'. Stratégies (Issy Les Moulineaux), No 1431 (6 October 2006): 60.
'The Spectacle Is Not Over: Matthieu Laurette interviewed by Claire Staebler, Jelena Vesic and Ana Nikitovic'. No More Reality, Step 2, 66-73 (English/Serbian). Exh. cat. Belgrade: BELEF Center, 2006.
Sans, Jerôme. 'Guy Debord is So Cool! - Interview with Matthieu Laurette'. Uovo (Milan), No 11, (June 2006): 52-75.
2004
Heiser, Joerg. "What the world needs now... Art and Politics: 22 artists respond." Frieze (London), no. 87 (November-December 2004):76-89.
2003
Ricupero, Cristina. 'Interview with Jens Haaning, Matthieu Laurette, Aleksandra Mir' Publicness. Exhibition brochure, Institute of Contemporary Art (London) January 2003.
2002
"A Paris Conversation, entre Alison Gingeras, Matthieu Laurette, Nadia Lauro, Eva Svennung, Alexis Vaillant." in Circles, 280-293. Frankfurt: Revolver / Karlsrhue: ZKM, 2002.
2001
Ricupero, Cristina. "Interview with Matthieu Laurette." Social Hackers. Exh. Cat. Helsinki: Frame / Nifca, 2001
Caillet, Aline. "Matthieu Laurette: un artiste en embuscade." interview and text, Parpaings (Paris), no. 26 (October 2001):1, 3-6.
Balice, Daniele. "Matthieu Laurette. Interview." InterVista (Milan), Vol. IV, no. 24 (Fall-Winter 2000-2001): 50-53.
1999
Vaillant, Alexis. "Questions for a champion/ Vragen voor een kampionen. An interview with Matthieu Laurette." Casco Issues (Utrecht), no. 5 (May 1999): 84-93.
1998
Hahn, Clarisse. "Économies parallèles, interview with Matthieu Laurette." Blocnotes (Paris), no. 15 (Summer 1998): 48-51.
1997
Mandon, Victor. "Tout le monde pourrait manger gratis, mais personne n'en profite." Newlook (Paris), no.166 (July 1997): 4, 24-25. Interview.
BIBLIOGRAPHY: SELECTED PERSONAL ARTICLES AND REVIEWS
(last updated 21 November 2007) - update coming soon -
2007
Niemojewski, Rafal. 'TV Eye on You'. Useless (London), No 5, (Spring 2007):10-11
2006
de Beauvais, Jean-Baptiste. 'TF1 par Matthieu Laurette' in 'Briefs d'artistes - Stratégies et le Palais de Tokyo presentent 11 Marques vues par 11 artistes'. Stratégies (Issy Les Moulineaux), No 1431 (6 October 2006): 60.
Sherwin, Skye. 'Let's Make Lots of Money'. i-D (London), No. 269 (September 2006)
Sans, Jérôme. 'Guy Debord is So Cool! - Interview with Matthieu Laurette'. Uovo (Milan), No 11, (June 2006): 52-75.
Davies, Lillian. "Critic's Picks, London : Matthieu Laurette - Blow de la Barra", Artforum.com, (New York), (May, 2006)
Morton, Tom. 'How To Sound Clever About Matthieu Laurette'. Arena (London), No 171, (June 2006).
2005
"Isabella Blow in on tour'", The Art Newspaper (London), (October 23, 2005): Frieze Daily edition.
Dawson, Jessica. "Spitting Images: A Brush With 'Celebrity'", The Washington Post (Washington), (August 4, 2005): C01
Colard, Jean-Max. "Matthieu Laurette: Yvon Lambert. Reviews" Artforum (New York), XLIII, no. 10 (Summer Issue):335.
Beausse, Pascal. “Matthieu Laurette Galerie Yvon Lambert. Reviews” Flash Art International (Milan), no.242 (May-June, 2005):152-153.
Lequeux, Emmanuelle. “Revue de presse.” BeauxArts Magazine (Paris), no.251 (May 2005): 40.
Beausse, Pascal. "Andy Warhol /Matthieu Laurette." Magazine (Paris), no.30 (summer 2005):52-53.
Lavrador, Judicaël. "La foire aux vanités." Les Inrockuptibles (Paris), no.480 (9 15 February, 2005): 76-77.
Barachon, Charles. "Homme du mois: Matthieu Laurette." Technikart (Paris), no.90 (March 2005): 94.
Hernández Chong Cuy, Sofia. "Hey Rod, it's me." Pacemaker (Paris), no.7 (March 2005).
Funesvick, Eivind. "Make Up, Made Up." Pacemaker (Paris), no.7 (March 2005).
2003
Royer, Hugues. "Laurette, c’est chouette." Voici (Paris), no.829 (September 29 October 10, 2003): 74.
Colard, Jean-Max. "Images: Déjà-vu, Matthieu Laurette." Magazine (Paris), no. 20 (Summer 2003): 22-23.
"Wet paint." ArtReview (London), Vol. LIV (March 2003): 14.
Bearn, Emily. "Mine’s a double." The Sunday Telegraph Magazine (London) (February 16, 2003): 35-38.
Greephalgh, Alan. "Biggest lookalike gathering in town." Sunday Mirror (London) (February 16, 2003): 25. Mc Neil, Rob. "Looks Familiar?" The Evening Standard (London) (January 29, 2003): 7.
2002
Renard, Emilie. "Critic's Picks, Paris : Raymond Hains and Matthieu Laurette." Artforum.com (July 2002).
Lavrador, Judicaël. "Raymond Hains, Matthieu Laurette." Les Inrockuptibles (Paris), no. 343 (June 19-25, 2002): 78.
Laurie, Victoria. "Double Take." The Australian (Sidney), no. 11,613 (January 25, 2002): 12-13.
Halusková, Dana. "Matthieu Laurette." VLNA (Bratislava), no. 11 (2002): 22-27.
2001
Beausse, Pascal. "Matthieu Laurette." Zoo (London), no. 11 (December 2001): 322-323.
Baer-Bogenschütz, Dorothee. "Leben auf Pump. Kapitalismus-Kritik : Matthieu Laurette." Kunstzeitung (Germany), no. 62 (October 2001): 26.
Caillet, Aline. "Matthieu Laurette: un artiste en embuscade." Interview and text, Parpaings (Paris), no. 26 (October 2001):1, 3-6.
Leonardini, Marina. "Al Castello di Rivoli la vita è tutta un sosia." La Stampa (Turin) (October 17, 2001): 51.
Mena, Catalina. "Como Vivir Gratis." Revista Paula (Santiago, Chile), no. 845 (September 2001): 106-110.
Wulffen, Thomas. "Matthieu Laurette." Kunstforum International (Ruppichteroth), no. 156 (August-October 2001): 111.
2000
Balice, Daniele. "Matthieu Laurette. Interview." InterVista (Milan), Vol. IV, no. 24 (Fall-Winter 2000-2001): 50-53.
Jeffries, Stuart. "Young, gifted and French." The Guardian - G2 (London) (November 16, 2000): 12-13.
Allen, Jennifer. "Reviews. Matthieu Laurette, C/O Berlin." Artforum (New York), Vol. 39, no. 2 (October 2000): 153-154.
Ellis, Patricia. "The Great Exchange." Flash Art International (Milan), no. 211 (March - April 2000): 43.
Gonzalez Carrera, J. A. "Arte en agitación." El Correo (Bilbao) (March 6, 2000).
Hovart, Laurence. "Têtes estampillées." Numéro (Paris), no.11 (March 2000): 125-126.
"Troc et tombola." Le Journal des Arts (Paris), no. 99 (February 18 - March 3, 2000): 10.
"El Gran Trueque (le Grand Troc), Matthieu Laurette." Parpaings (Paris), no. 10 (February 2000): 27.
Saenz de Gorbea, Xabier. "El Gran Trueque." DEIA, Suplemento Asteburua, (Bilbao) (January 7, 2000): 12.
1999
Sausset, Damien. "Laurette sur Internet ou au supermarché." L'oeil (Paris), no. 512 (December 1999 - January 2000): 19.
Vaillant, Alexis. "No nos hemos vistos antes en algun sitio?" Zehar (San Sebastian), no. 41 (Winter 1999): 8-17. (first published as On ne s’est pas vu quelques part in French and English in Free Sample Demix,1998).
"Zufrieden oder geld Zurück." Neue Zürcher Zeitung (Zürich) (August 13, 1999).
Vaillant, Alexis. "Questions for a champion/ Vragen voor een kampionen. An interview with Matthieu Laurette." Casco Issues (Utrecht), no. 5 (May 1999): 84-93.
Arnaudet, Didier. "Efficace et commode." Art Press (Paris), no. 245 (April 1999): 89-90.
Kellmachter, Héléne. "Hervé Chandès présente Matthieu Laurette." Connaissance des Arts (Paris), no. 557 (January 1999): 72-73.
Lequeux, Emmanuelle. "Matthieu Laurette et Asier Pérez González." Aden Le Monde (Paris), no. 60 (January 20-26, 1999): 25.
1998
Beausse, Pascal. "Matthieu Laurette." Flash Art International (Milan), no. 211 (November-December 1998): 115.
Colard, Jean-Max. "Superdiscount." Les Inrockuptibles (Paris), no. 172 (November 4-9, 1998): 75.
Lequeux, Emmanuelle. "Matthieu Laurette." Aden Le Monde (Paris), no. 48/ 50 (October 21-27, 1998 / November 4-10, 1998): 27 / 26.
Demir, Anaïd. "Précaire et branché. Matthieu Laurette crée son économie parallèle. Le gendre ideal." Technikart (Paris), no. 25 (September 1998): 68.
Hahn, Clarisse. "Économies parallèles, interview with Matthieu Laurette." Blocnotes (Paris), no. 15 (Summer 1998): 48-51.
Kartunnen, Ulla. "Taiteilija Konsulentina." Taide Art Magazine (Helsinki) (March 1998): 42.
Goudinoux, Nathalie. "Vivons remboursés." Zéro deux (Nantes), no. 4 (January 1998): 5.
1997
Demir, Anaïd. "Matthieu Laurette." Documents sur l'art (Dijon), no. 11 (Fall-Winter 1997-1998): 10-11.
Tanikawa, Kaoru. "Matthieu Laurette." BT (Tokyo), Vol. 49, no. 743 (July 1997): 143.
Bousteau, Fabrice. "L'art consommable et remboursé." Beaux Arts Magazine (Paris), no. 158 (July 1997): 3.
Hahn, Clarisse. "Matthieu Laurette : Frac Languedoc -Roussillon." Art Press (Paris), no. 225 (June 1997): X.
Demir, Anaïd. "Infiltrations spatio-temporelles : Apparitions et voyages virtuels au Frac Languedoc-Roussillon." Techknikart (Paris), no. 11 (April 1997): 85.
Mollet-Viéville, Ghislain. "Les bons plans de Matthieu Laurette." Sans Titre (Lille), no. 38 (February 1997): 3.
1996
Hahn, Clarisse. "Matthieu Laurette : Suivre le système à la lettre." Omnibus (Paris), no. 17 (July 1996): 19.
Vaillant, Alexis. "Matthieu Laurette goes shopping." Kunstbulletin (Zürich), no. 96/6 (June 1996): 28-29.
Demir, Anaïd. "Art People zoom sur les personnalités qui font l’actualité. L’art satisfait ou remboursé. Le plan media de Matthieu Laurette." Technikart (Paris), no. 4 (April, May 1996): 9.
Demir, Anaïd. "Matthieu Laurette : Apparitions." Le Journal des expos (Paris), no. 33 (February 1996).
1995
Louis, Emma. "Matthieu Laurette, un artiste prêteur." Dauphiné libéré (Grenoble) (October 26, 1995).
BIBLIOGRAPHY: SELECTED COLLECTIVE ARTICLES AND REVIEWS
(last updated 2006) - update coming soon -
2006
Colin, anna. "Mass Media What?", Untitled (London), no. 38 (Summer 2006):42-47.
2005
Bishop, Claire. "Scene and Herd: Mum's the Bird'", Artforum.com (New York), (October 26, 2005).
Gibbs, Michael. "Populism, Stedelijk Museum Amsterdam: Exhibitions Reviews." Art Monthly (London), no 287 (June 2005): 22-23.
Van Oenen, Gijs. "Ideologisch tekort. Over de tentoostelling Populism." De Witteraaf (Brussel),no. 116 (July-August 2005): 28-29.
Heiser, Joerg. “Good circulation.” Frieze (London), no.90 (April 2005): 81-82
2004
Heiser, Joerg. "What the world needs now... Art and Politics: 22 artists respond." Frieze (London), no. 87 (November-December 2004):76-89.
McAlear, Donna. "Who are you, really?" NY Arts (New York City), Vol. 9 no. 11/12 (November/December 2004):25.
Michiels, Michèle. “Le rire s’est crispé: un entretien avec Gabriel Thoverron.” Espace de Libertés (Paris), no.322 (Juillet 2004): 6-7.
Bookhardt, Eric. “Other Voices, Other Media.” Gambit Weekly (New Orleans) (August 03, 2004): 42.
Cena, Olivier. “Crudité au menu.” Telerama (Paris), no.2858 (October 23-29, 2004): 62.
Karskens, Xander. “Bejaard medium tv wint het makkelijk van kunst.” Volleskraum (Amsterdam) (November 17, 2004).
Van Bogaert, Pieter. “Montevideo toont televisie als dinosaurs.” DeTyd (Amsterdam) (December 6).
Ruby, Christian. “Entre-Deux au service de l’art public.” Urbanisme (Paris), no.336 (May June 2004).
Honigman, Ana Finel. “Terminal 5.” Art on paper (New York), Vol. 9, no.2 (November December 2004): 18.
Pointurier, Marie. “Hôtesse de l’Art.” Vogue (Paris), no.852 (November 2004): 94.
Caillet, Aline. “Figures de l’engagement, esthétique de la résistance.” Esse (Québec), no. 51 (Fall Summer 2004): 13.
Gourmel, Yoann. “Immobile TV.” Les Inrockuptibles (Paris), no.469 (November 24 30, 2004): 85.
Lestocart, Louis-José. “Aporie sur l’enfermement.” Artpress, no.303 (July August 2004): 39.
2003
Lefévre, Jérôme. "The World by Crash." Archistorm (Paris),no. 5 (December 2003): 29.
Farquharson, Alex. "Reviews. Publicness. ICA London." Frieze (London), no.75 (May 2003): 91-92.
Demir, Anaïd. "Aux arts, citoyens." Le Journal des Arts (Paris), no. 166 (March 7-20, 2003): 9.
Dyer, Richard. "News. London." Contemporary (London), no. 49 (March 2003): 18-19.
Charlesworth, JJ. "Reviews. London: Institute of Contemporary Arts. Publicness." Contemporary (London), no. 49 (March 2003): 82-83.
Kent, Sarah. "Public Images." Time Out (London), no. 1694 (February 5-12, 2003): 50.
Lafuente, Pablo. "In the public eye." ArtReview International Edition (London), Vol. I, no. 4 (February 2003): 34.
Lavrador, Judicaël. "Spectacle. La part du feu. Etincelles modernes." Beaux Arts Magazine (Paris), no. 225 (February 2003): 76.
Hackworth, Nick. "The Lure of Foreign Affairs." The Evening Standard (London) (January 29, 2003): 45.
Russel Taylor, John. "Anxiety Attacks." The Times (London) (January 29, 2003): 16.
"Publicness." The Times (London) (January 25, 2003).
Jones, Jonathan. "Publicness. ICA, London." The Guardian (London).
"Publicness. Institute of Contemporary Arts. London, UK." www.artrepublic.com (January 22, 2003).
"Publicness. Institute of Contemporary Arts." The Art Newspaper (London) (January 2003).
Kyriacou, Sotiris. "Previews. London: ICA. Publicness." Contemporary (London), no. 47 / 48 (January-February 2003): 37-38.
Lecocq, François. “L’Art de faire semblant.” La Voix du Nord - édition Région (April 11, 2003).
Méreau, Julia. “Le jeu, un art qui déjoue.” Nord Éclair (May 6, 2003).
Van Offel, Hugo. “Mieux vaut en rire.” Art Actuel (Paris) (May- June 2003).
Gray, Louise. “Le Ludique.” Art Review (London), Volume LIV (July-August 2003): 93.
Breerette, Geneviève. “Des géographies imaginaires dominées par l’informatique.” Le Monde (Paris) (August 15, 2003).
Géniès, Bernard. “Suivez les guides!” Le Nouvel Observateur (Paris) (July 10-16, 2003).
Marcadé, Bernard. “Exposition: GNS.” Beaux Arts Magazine (Paris) (July 2003).
Wetterwald, Elisabeth. “GNS.” Artpress (Paris) (September 2003).
Van Den Abeele, Lieven. “Global Navigation System.” De Witte Raaf (Amsterdam) (July-August 2003).
“De nieuwe nono’s.” MAN: (Amsterdam), no.6 (August-September 2003): 93.
Védrine, Laurent. “Plasticiens français, le retour / Topographies américaines.” Rézo International (Paris), no.12 (Autumn 2003): 10.
Jevans, Rich. “Life on earth, according to Dalziel + Scullion.” The Leeds Guide (London), no.76 (September 24 October 09, 2003): 31.
2002
Lavrador, Judicaël. "Nouveaux Talents, 20 artistes à suivre / New Artists, 20 artists to your eye on." Beaux Arts Magazine (Paris), special issue : Qu'est ce que l'art aujourd'hui? /What is art today? (2002 edition): 54-55.
Velthuis, Olav. "Imaginaire Economies." Metropolis M (Utrecht), no. 5 (October-November 2002): 32-36.
Camnitzer, Luis. "Art & Economy." ArtNexus (August September 2002).
Möntmann, Nina. "Reviews. Art and Economy, Deichtorhallen." Artforum (New York) (Summer 2002).
Verwoert, Jan. "Reviews. Art and Economy, Deichtorhallen." Frieze (London) (June-August, 2002).
Wahjudi, Claudia. "Reviews. Art & Economy." Kunstforum International (Ruppichteroth), no. 160 (June-July 2002): 366-368.
Wulffen, Thomas. "Biennale von Turin, Big Social Game." Kunstforum International (Ruppichteroth), no. 160 (June-July 2002): 442.
Dilk, Anja. "Bewegendes Wechselspiel. Ein Bericht über die Ausstellung Art & Economy." www.changex.de (June 2002).
Seyfarth, Ludwig. "Im Rahmen der Zeit: Moderne Kunst ersetzt das Pferd." Kulturpolitische Zeitschrift (May 2002).
Lapp, Axel. Reviews. Art and Economy, Deichtorhallen. Art Monthly (London) (May 2002).
Delbard, Nathalie. "L’image en retour de l’économie." Parachute (Montréal), no.106 (April, May, June 2002): 12.
Friebe, Holme. "Die Asthetik der Ökonomie." Jungle World (April 24, 2002).
Görgen, Vera. "Die Kunst der Selbstinszenierung." Financial Times Deutschland (March 5, 2002).
Werneburg, Brigitte. "Zweckgemeinschaft Kunst und Ökonomie." Taz, Die Tageszeitung (March 5, 2002).
Böker, Carmen. "Gut im Geschäft." Berliner Zeitung (Berlin) (March 5, 2002).
"‘Art & Economy’: Ausstellung in den Deichtorhallen." Die Welt (Hamburg) (March 1, 2002).
"Art & Economy." Vernissage NORD (February April 2002).
Côté, Nathalie. "Le Ludique. Musée du Québec." Para-Para, Parachute (Quebec) (January, February, March 2002): 6-7.
2001
Deitch, Jeffrey. "Form Follow Fiction." Flash Art Italia (Milan), Vol. XXXIV, no. 231 (December 2001 - January 2002): 64-70.
Drabble, Barmy. "Trading Places: Art and Global Economics." Flash Art International (Milan), Vol. XXXIV, no. 220 (October 2001): 88-90.
Sachs, Hinrich. Metropolis M (Utrecht)
Poy, Cyrille. "La société de consommation à l’épreuve des artistes." l’Humanité (Saint-Denis) (December 6, 2001): 25.
Poli, Francesco. "Ai confini della realtà." Il manifesto (Rome) (October 23, 2001).
Jewesbury, Daniel. "Them and US." Art Monthly (London), no. 248 (July-August 2001): 8-12, 23.
Breerette, Geneviève and Bellet, Harry. "Harald Szeemann : ‘L'idée d'art total s'est révélée une utopie’." Le Monde (Paris) (June 9, 2001).
Träskman, Tomas and Ivan, Daniele. "Social Hackers. Review." NU - The Nordic art Review (Stockholm), Vol. III, no. 1/01: 87-88.
Wulffen, Thomas. "Reviews. Am Ziel vorbei. (All you can eat)." Frame The state of the art (Vienna), no. 5 (January-February 2001): 124.
Ardenne, Paul. “Economics Art, l’heure du bilan.” Artpress spécial (Paris), no.22 (2001): 197.
2000
Eraso, Miren. "Consonni 19.11.99. Entrevista Franck Larcade." Zehar (San Sebastian), no. 41 (Winter 2000): 4-7.
Lebovici, Elizabeth. "Montrer le monde comme une vaste scène." Libération (Paris) (November 23, 2000): 37. Interview of Bernard Blistène.
"Notizie. Et voilà !. " Flash Art Italia (Milan) (Summer 2000).
Parent, Béatrice and de Rincquesen, Olivier. Visite Guidée. France Inter, Radio France, Radio (France) (August 29, 2000).
Dagen, Philippe. "Dada pas mort: La Napoule. Dans la lignée de Picabia, les plasticiens s'expriment à coup d'écrits critiques." Le Monde (Paris) (August 8, 2000).
"Weitere Ausstellungen." Zitty (Berlin), no. 14 (June 29 July 12, 2000): 61.
Rivoire, Annick. "Internet-performance." Libération (Paris) (April 14, 2000).
Hallborg, Hanna. "The Cut of the Month." NU The Nordic art Review (Stockholm), Vol. II, no. 2/00: 8-9.
Van Proyen, Mark. "Rebecca Bournigault, Matthieu Laurette & Marie Sester." New Art Examiner (Chicago) (February 2000): 57.
Cassagnau, Pascale. "Télévision, video, cinema, Internet, art des histoires impossibles." Omnibus (Paris), no. 31 (January 2000): 9.
Vaillant, Alexis. "Customiser l'exposition, Remake et sur mesure." Artpress Spécial (Paris), no. 21 (2000).
Corsan, Olivier. “Star pour de faux à Beaubourg.” Le Parisien (Paris) (November 11, 2000).
1999
"Exhibitions. Direct Translation." San Francisco Art Institute (San Francisco), Vol. 3, no. 1 (Fall 1999): 6.
Wolinski, Natacha. "L’image hors-la-loi." Beaux Arts Magazine (Paris), no. 187 (December 1999): 86-94.
Bernier, Alexis. "Nouvelles scénes, quoi de neuf?" Libération (Paris) (November 1, 1999): 32.
Bonnetti, David. "French lesson at local galleries." The San Francisco Examiner (San Francisco) (October 27, 1999).
Helfland, Glen. "Rebecca Bournigault, Matthieu Laurette, Marie Sester." The San Francisco Bay Guardian (San Francisco), Vol. 34. no. 3 (October 20-26 1999).
Wilcox, Hester. "Cote Ouest." In The Artclub, CNN, TV (USA) (October 1999).
Lequeux, Emmanuelle. "Les Mix art et techno." Aden Le Monde (Paris) (September 8-14, 1999): 42.
Cassagnau, Pascale. "Les états du stock." Revue Mobile (Paris), no. 2 (September 1999): 32-35.
Eichler, Dominic. "Soft Résistance." Frieze (London), no. 48 (1999).
Bourriaud, Nicolas. "La provocation dans l'art." Beaux Arts Magazine (Paris), no. 182 (July 1999): 72-73.
Conrads, Martin. "Umsonst und draussen."Zitty (Berlin), no. 13 (June 15, 1999): 56-57.
Bettina Müller, Katrin. "Öffentlichkeit im Schlussverkauf." Tagesspiegel (Berlin) (June 12, 1999).
Rushton, Steve. "Similar Situations." Everything (London), no. 24 (1999): 44-48.
"Jonction 3, pour l'art branché." La Libre Belgique, supplément Libre Culture (Brussells) (April 30, 1999).
"66 projets pour 99." Crash (Paris), no. 6 (February March 1999): 42-47.
1998
Perreau, David. "Bruitsecrets." Art Press (Paris) (December 1998): XII.
Maillet, Florence. "‘Bruits secrets’ un tour de France de l’art à Tours." Beaux Arts Magazine (Paris) (September 1998): 27.
Lindgaard, Jade. "Bruits secrets." Aden Le Monde (Paris), no. 42 (September 9-15, 1998): 25.
Gauville, Hervé. "Bruitsecrets, impossible à percer." Libération (Paris) (July 29, 1998): 21.
Dagen, Philippe. "La Société actuelle sujet et victime de quatorze jeunes artistes." Le Monde (Paris) (July 9, 1998).
Régnier, Philippe. "Faire grand bruit, La jeune génération sort de l'ombre à Tours." Le Journal des Arts (Paris) (July 8, 1998).
Lindgaard, Jade. "Un monument à l’artiste pas encore connu." Aden Le Monde (Paris) (July 1-7, 1998).
"Bruits secrets, à Tours." Les Inrockuptibles (Paris) (June 17-23, 1998).
Colard, Jean-Max. "Homo Economicus." Beaux Arts Magazine (Paris), no. 168 (May 1998 ): 13.
Colard, Jean-Max. "Biblio-art?" Les Inrockuptibles (Paris) (May 6-12, 1998): 57.
Lindgaard, Jade. "Homo Zappiens Zappiens." Aden Le Monde (Paris), no. 32 (May 6-12, 1998): 25.
Naphégyi, Caroline; Boutoulle, Myriam. "Tati tâte de l’art." Beaux Arts Magazine (Paris), no. 167 (April 1998): 16-17.
Leydier, Richard. "Réveillons-nous." Art Press (Paris), no. 232 (February 1998): IX.
1997
Cuvelier, Pascaline. "Letter from Paris. City of Slights." Artforum (New York), Vol. XXXVI, no.3 (November 1997): 45-49.
Régnier, Philippe. "De la peinture au supermarché." Le Journal des Arts (Paris), no. 36 (April 18, 1997): 12.
"Modeste et généreux. Rushs." Art Press (Paris), no. 221 (February 1997): 81.
1995
Perrin, Frank. "Les Laboratoires intermediaires." Blocnotes (Paris), no. 8 (Winter 1995): 69-74.
Wolf, Laurent. "Ce que les vieux sages nous apprennent à propos des nouveaux media." Le Nouveau Quotidien (Geneva) (November 8, 1995).
Mathonnet, Philippe. "La vidéo, le bon moyen pour décrypter les images." Journal de Genève (Geneva) (November 4, 1995).
Leturcq, Armelle. "Fluidité, déplacements, liquidités." Blocnotes (Paris), no. 9 (Summer 1995): 43-47.
Coupet, Frédéric. "Ze last news. France bis, donc." Galeries Magazine (Paris), no. 62 (Summer 1995): 23.
Bost, Bernadette. "Beaux Art Forains.?" Le Monde (Paris) (April 15, 1995).
SELECTED TALKS & TEACHING
since 2010/ongoing, professor Art/Multimedia and head of Master of Art at ISBA-Institut Superieur des Beaux Arts Besançon/Franche Comté, Besançon, France
2011
I don't Know Where I'm Going But I Want To Be There: The Image in the Age of Visual Obesity, MOTI @ Paradiso Amsterdam, The Netherlands.
Ecole Régionale des Beaux Arts, Besançon, France
Centre Culturel Français, Oran, Algeria
2010
Alianza Francesa, Bogota, Colombia
ESAD - Ecole Supérieure d'Art et de Design, Reims, France
Rencontres du Spectacle Vivant: Avignon 2010, Peniche Rhône Alpes, Avignon, France
The Public School, Wiels, Brussels, Belgium
2009
Audiences: Fellini and Television, Jeu de paume, Paris, France
Observatoire des politiques culturelles, Bordeaux, France
Rotterdam Dialogues: The Artists, Witte de With, Rotterdam, The Netherlands
Ecole Nationale des Beaux Arts de Dijon, Dijon, France
2008
Goldsmith College, London, UK
Rietveld Academie, Amsterdam, The Netherlands
SMART Project Space, Amsterdam, The Netherlands
Winzavod, Moscow, Russia
Artworkshop 2008:Dating, Casino Luxembourg, Luxembourg
IETM Meeting, Ljubjlana, Slovenia
Auditorium du Louvre, Paris, France
MUDAM, Luxembourg, Luxembourg.
Jeu de paume, Hotel de Sully, Paris, France.
Vooruit, Gent, Belgium.
HISK, Gent, Belgium.
2007
de Ateliers, Amsterdam, The Netherlands.
Art Lobby, Art Basel, Basel, Switzerland.
Institut National d'Histoire de l'art, Paris, France.
MoMA, New York, USA.
LBi Artist Talk Series, London, UK.
Tate Modern, London, UK.
2006
ENSAD-École Nationale Supérieur des Arts Décoratifs, Observatoire des Nouveau Medias, Paris, France.
Centre Culturel Francais, Belgrade, Serbia.
L'École de Stéphanie, La Force de l'Art, Grand Palais, Paris, France
Vera List Center for Arts and Politics, The New School, New York, USA.
Taipei Fine Arts Museum, Taipei, Taiwan, China.
Vienna Art Week, Palais Dorotheum, Vienna, Austria.
De Appel, Amsterdam, The Netherlands.
Palais de Tokyo (with Nicolas Bourriaud), Paris, France.
2005
Stedelijk Museum, Amsterdam, Netherlands.
Tate Modern, London, UK
2004
Contemporary Art Center, New Orleans, USA.
16 Beaver, New York City, USA.
FRAC Champagne Ardenne, Reims, France.
ArtConnexion/Lycée Beaupré, Lille France.
2003
Espace Paul Ricard, Paris, France.
Musée National d’Art Moderne, Centre Pompidou, Paris, France.
ENSBA / Ecole Nationale Supérieure des Beaux Arts, Paris, France.
Art & Business, Royal Institute of British Architects, London, UK.
Evolution 2003, Lumen, Leeds International Film Festival, Leeds, UK.
FIAC 2003, Paris, France.
Contemporary Art Centre, Vilnius, Lithuania.
Glenfiddich Distillery, Dufftown, Scotland.
Bronx Museum of the Arts, New York, USA. (
2002
Staedelschule, Frankfurt, Germany.
Artsonje Center, Seoul
PICA, Institut of Contemporary Arts, Perth, WA, Australia.
John Curtin University, Bentley, WA, Australia.
2001
Musée du Québec, Quebec, Canada.
Artists Space, New York, USA
2000
Musée National d’Art Moderne, Centre Pompidou, Paris, France.
Ecole Supérieure d’Art, Cambrai, France.
Proto Academy, Edinburgh, Scotland.
ECA Edinburgh College of Art, Edinburgh, Scotland.
Kunst Werke, Berlin, Germany.
Kiasma, Helsinki, Finland.
De Appel, Amsterdam, The Netherlands.
Ecole des Beaux Arts, Nantes, France.
1999
Ecole Supérieure d’Arts, Brest, France.
Universitat Internacional de Catalunya, Barcelona, Catalunya, Spain.
New Langton Arts, San Francisco, USA.
San Francisco Art Institute, San Francisco, USA.
Santa Monica Museum of Art, Santa Monica, USA.
Université Charles de Gaulle Lille III, Villeneuve d’Ascq, France.
Arteleku, San Sebastian, Basque Country, Spain.
Cinéma Nova, Verbindingen/Jonctions3, Constant vzw, Brusells, Belgium.
Sint Lukas, Brussels, Belgium.
Basque Country University, Bilbao, Basque Country, Spain.
Begane Gronde, Utrecht, The Netherlands.
Musée d’art contemporain, Lyon, France.
1998
ECAL Ecole cantonale d’art de Lausanne, Lausanne, Switzerland.
Médiathèque François Mitterand/ Le Confort Moderne, Poitiers, France.
1997
FRAC Basse-Normandie, Caen, France.
ESAV Ecole Supérieure d’Arts Visuels, Geneva, Switzerland.
Entre 2, Maison de quartier des Dervallières, Nantes, France.
Centre d’Art, Brétigny-sur-Orge, France.
Espace croisé / Artconnexion, Lille, France.
1995
St Gervais, Geneva, Switzerland.
Magasin, Grenoble, France.
1993
Tsukuba University, Tsukuba, Japan.
SELECTED AWARDS, GRANTS & RESIDENCIES
2011
Alianza Colombo Francesa, Artist in Residency Programme, Bogota, Colombia
2010
Alianza Colombo Francesa, Artist in Residency Programme, Bogota, Colombia
2004
Ateliers New Yorkais / AFAA, ISCP, New York, USA.
2003
Ricard S.A. Award 2003, Paris (in collaboration with the MNAM/Centre Pompidou)
Glenfiddich, Artist in Residency programme, Dufftown, Banffshire, Scotland.
2001
FIACRE, CNAP Centre National des Arts Plastiques, Paris, France.
Deutsch-Französichen Jugendwerk Grant, Paris/Berlin.
1999
Aide individuelle à la création, DRAC Direction Régionale des Affaires Culturelles Ile-de-France, Paris, France.
Artist in residence, San Francisco Art Institute, San Francisco, USA.
Programme à la carte, AFAA Association Française d’Action Artistique, Paris, France.
1998
Aide à la premiére exposition, FIACRE, CNAP Centre National des Arts Plastiques, Paris, France.
http://www.laurette.net/biography.htm
(Last update: 30 January 2012)
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